- Format
- Book
- Author/Creator
- Hake, Sabine, 1956-
- Published
- Austin : University of Texas Press, 2001
- Locale
- Germany
- Edition
- First edition
- Contents
-
Popular cinema, national cinema, nazi cinema : a definition of terms
Made in 1933 : German-Jewish filmmakers and the forced coordination of the industry
Cinema, set design, and the domestication of modernism
At the movies : film audiences and the problem of spectatorship
Stars : Heinz Ruhmann and the performance of the ordinary
Detlef Sierck and Schlussakkord (Final chord, 1936) : a case study of film authorship
The foreign and the familiar : on German-American film relations, 1933-1940
The annexation of an imaginary city : the Topos "Vienna" and the Wien-Film AG
The power of thought : redefining popular cinema between realism and illusionism
A question of representation : working women and wartime cinema
The legacies of the past in the cinema of postwar reconstruction.
- Notes
-
Includes bibliographical references (pages 263-265) and index.
Popular cinema, national cinema, nazi cinema : a definition of terms -- Made in 1933 : German-Jewish filmmakers and the forced coordination of the industry -- Cinema, set design, and the domestication of modernism -- At the movies : film audiences and the problem of spectatorship -- Stars : Heinz Ruhmann and the performance of the ordinary -- Detlef Sierck and Schlussakkord (Final chord, 1936) : a case study of film authorship -- The foreign and the familiar : on German-American film relations, 1933-1940 -- The annexation of an imaginary city : the Topos "Vienna" and the Wien-Film AG -- The power of thought : redefining popular cinema between realism and illusionism -- A question of representation : working women and wartime cinema -- The legacies of the past in the cinema of postwar reconstruction.
