LEADER 03001cam a2200421 a 4500001    212648
005    20240621184437.0
008    971020t19981998njuab    b    001 0 eng  
010       97044484 
015    GB98-47108
019    150833936
020    0691059772 |qcloth |qalkaline paper
020    9780691059778 |qcloth |qalkaline paper
035    (OCoLC)ocm37870707
035    212648
043    e------
049    LHMA
040    DLC |beng |erda |cDLC |dC#P |dVVC |dUKM |dLVB |dBAKER |dNLGGC |dBTCTA |dYDXCP |dBTN |dLHM
050 00 CB204 |b.S37 1998
100 1  Schorske, Carl E.
245 10 Thinking with history : |bexplorations in the passage to modernism / |cCarl E. Schorske.
264  1 Princeton, N.J. : |bPrinceton University Press, |c[1998]
264  4  |c©1998
300    xiv, 240 pages : |billustrations, map ; |c24 cm
336    text |btxt |2rdacontent
337    unmediated |bn |2rdamedia
338    volume |bnc |2rdacarrier
504    Includes bibliographical references and index.
505 0  The book: theme and content -- The author: encountering history -- The idea of the city in European thought: Voltaire to Spengler -- History as vocation in Burckhardt's Basel -- Medieval revival and its modern content: Coleridge, Pugin, and Disraeli -- The quest for the grail: Wagner and Morris -- Museum in contested space: the sword, the scepter, and the ring -- Grace and the word: Austria's two cultures and their modern fate -- Generational tension and cultural change -- From public scene to private space: architecture as culture criticism -- Gustav Mahler: formation and transformation -- To the Egyptian dig: Freud's psycho-archeology of cultures -- History and the study of culture.
520 1  "Schorske begins by reflecting on his own vocation as it was shaped by the historical changes he has seen sweep across political and academic culture. Then he offers a European sampler of ways in which nineteenth-century European intellectuals used conceptions of the past to address the problems of their day: the city as community and artifact; the function of art; social dislocation. Narrowing his focus to fin-de-siecle Vienna in a second group of essays, he analyzes the emergence of ahistorical modernism in that city. Against the background of Austria's persistent, conflicting Baroque and Enlightenment traditions, Schorske examines three Viennese pioneers of modernism - Adolf Loos, Gustav Mahler, and Sigmund Freud - as they sought new orientation in their fields."--BOOK JACKET.
591    Record updated by Marcive processing 21 June 2024
651  0 Europe |xCivilization |y19th century.
651  0 Europe |xIntellectual life |y19th century.
650  0 Modernism (Aesthetics)
650  0 Historicism.
856 42  |3Table of contents |uhttp://www.loc.gov/catdir/toc/prin031/97044484.html
856 42  |3Publisher description |uhttp://www.loc.gov/catdir/description/prin021/97044484.html
852 0   |bstacks |hCB204 |i.S37 1998