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Orphans of the East : postwar Eastern European cinema and the revolutionary subject / Constantin Parvulescu

Publication | Library Call Number: PN1995.9.O76 P37 2015
Book cover

Unlike the benevolent orphan found in Charlie Chaplin's The Kid or the sentimentalized figure of Little Orphan Annie, the orphan in postwar Eastern European cinema takes on a more politically fraught role, embodying the tensions of individuals struggling to recover from war and grappling with an unknown future under Soviet rule. By exploring films produced in postwar Hungary, the German Democratic Republic, Czechoslovakia, Romania, and Poland, Parvulescu traces the way in which cinema envisioned and debated the condition of the post-World War II subject and the "new man" of Soviet-style communism. In these films, the orphan becomes a cinematic trope that interrogates socialist visions of ideological institutionalization and re-education and stands as a silent critic of the system{u2019}s shortcomings or as a resilient spirit who has resisted capture by the political apparatus of the new state.

Format
Book
Author/Creator
Parvulescu, Constantin, author.
Published
Bloomington ; Indianapolis : Indiana University Press, [2015]
Includes bibliographical references (pages 159-182) and index
Language
English
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Record last modified: 2018-04-30 13:25:00
This page: https://collections.ushmm.org/search/catalog/bib248442