LEADER 03741cam a2200601 i 4500001 248442 005 20240621200335.0 008 141205s2015 inua b s001 0 eng 010 2014045514 020 9780253016737 |q(cloth ; |qalkaline paper) 020 0253016738 |q(cloth ; |qalkaline paper) 020 9780253016850 |q(paperback ; |qalkaline paper) 020 0253016851 |q(paperback ; |qalkaline paper) 020 |z9780253017659 |q(ebook) 029 1 AU@ |b000053978650 029 1 CHBIS |b010363268 029 1 CHVBK |b335359477 029 1 ZWZ |b190148772 035 (OCoLC)ocn893452877 035 (OCoLC)893452877 035 248442 042 pcc 043 ee----- 049 LHMA 040 DLC |beng |erda |cDLC |dYDX |dBTCTA |dYDXCP |dBDX |dCDX |dUWO |dOCLCF |dOCLCO |dZWZ |dOCLCO |dOCLCQ |dLHM 050 00 PN1995.9.O76 |bP37 2015 100 1 Parvulescu, Constantin, |eauthor. 245 10 Orphans of the East : |bpostwar Eastern European cinema and the revolutionary subject / |cConstantin Parvulescu. 264 1 Bloomington ;Indianapolis : |bIndiana University Press, |c[2015] 300 189 pages : |billustrations ; |c23 cm 336 text |btxt |2rdacontent 337 unmediated |bn |2rdamedia 338 volume |bnc |2rdacarrier 504 Includes bibliographical references (pages 159-182) and index. 505 0 Introduction: the socialist experience and beyond -- Creatures of the event: subject production in the reconstruction era -- Producing revolutionary consciousness in the times of radical socialism -- The testifying orphan: rethinking modernity's optimism -- Children of the revolution: the rebirth of the subject in revisionist discourse -- The family of victims: Stalinism revisited in the 1980s -- Epilogue: the abandoned offspring of late socialism. 520 Unlike the benevolent orphan found in Charlie Chaplin's The Kid or the sentimentalized figure of Little Orphan Annie, the orphan in postwar Eastern European cinema takes on a more politically fraught role, embodying the tensions of individuals struggling to recover from war and grappling with an unknown future under Soviet rule. By exploring films produced in postwar Hungary, the German Democratic Republic, Czechoslovakia, Romania, and Poland, Parvulescu traces the way in which cinema envisioned and debated the condition of the post-World War II subject and the "new man" of Soviet-style communism. In these films, the orphan becomes a cinematic trope that interrogates socialist visions of ideological institutionalization and re-education and stands as a silent critic of the system's shortcomings or as a resilient spirit who has resisted capture by the political apparatus of the new state. 530 Electronic version(s) |bavailable internally at USHMM. 591 Record updated by Marcive processing 21 June 2024 650 0 Orphans in motion pictures. 650 0 Abandoned children in motion pictures. 650 0 Motion pictures |zEurope, Eastern |xHistory |y20th century. 650 7 Abandoned children in motion pictures. |2fast |0(OCoLC)fst01920438 650 7 Motion pictures. |2fast |0(OCoLC)fst01027285 650 7 Orphans in motion pictures. |2fast |0(OCoLC)fst01920645 651 7 Europe, Eastern. |2fast |0(OCoLC)fst01245079 648 7 1900 - 1999 |2fast 655 7 History. |2fast |0(OCoLC)fst01411628 856 40 |3Electronic version(s) available. |uhttps://ebookcentral.proquest.com/lib/ushmm/detail.action?docID=2006785 |zHosted by ProQuest 938 Brodart |bBROD |n111316197 938 Baker and Taylor |bBTCP |nBK0015845994 994 C0 |bLHM 852 0 |bstacks |hPN1995.9.O76 |iP37 2015 852 |bebook