LEADER 03506cam a2200505 i 4500001    259954
005    20240621231516.0
008    160126t20172017nju      b    001 0 eng  
010      2016003234
019    960896980960901012967550537
020    9780813574714 |q(hardcover ; |qalkaline paper)
020    0813574714
020    9780813574707 |q(paperback ; |qalkaline paper)
020    0813574706
020     |z9780813574721 |q(e-book (epub)
020     |z9780813574738 |q(e-book (web pdf)
020     |z0813574722
020     |z0813574730
035    (OCoLC)ocn937999084
035    259954
042    pcc
049    LHMA
040    DLC |beng |erda |cDLC |dBDX |dYDXCP |dBTCTA |dRES |dIUL |dDGU |dWTU |dDAC |dOCLCO |dLHM
050 00 ML3918.R63 |bD87 2017
100 1  Dyck, Kirsten, |d1983- |eauthor.
245 10 Reichsrock : |bthe international web of white-power and Neo-Nazi hate music / |cKirsten Dyck.
264  1 New Brunswick, New Jersey : |bRutgers University Press, |c[2017]
264  4  |c©2017
300    x, 198 pages ; |c23 cm
336    text |btxt |2rdacontent
337    unmediated |bn |2rdamedia
338    volume |bnc |2rdacarrier
504    Includes bibliographical references (pages 183-187) and index.
505 0  What is white-power music? -- The history of white-power music in Britain -- The history of white-power music in continental Western Europe -- The history of white-power music in Eastern Europe -- The history of white-power music outside Europe -- Conclusion.
520    "From rap to folk to punk, music has often sought to shape its listeners' political views, uniting them as a global community and inspiring them to take action. Yet the rallying potential of music can also be harnessed for sinister ends. As this groundbreaking new book reveals, white-power music has served as a key recruiting tool for neo-Nazi and racist hate groups worldwide. Reichsrock shines a light on the international white-power music industry, the fandoms it has spawned, and the virulently racist beliefs it perpetuates. Kirsten Dyck not only investigates how white-power bands and their fans have used the internet to spread their message globally, but also considers how distinctly local white-power scenes have emerged in Western Europe, Eastern Europe, Latin America, the United States, and many other sites. While exploring how white-power bands draw from a common well of nationalist, racist, and neo-Nazi ideologies, the book thus also illuminates how white-power musicians adapt their music to different locations, many of which have their own terms for defining whiteness and racial otherness. Closely tracking the online presence of white-power musicians and their fans, Dyck analyzes the virtual forums and media they use to articulate their hateful rhetoric. This book also demonstrates how this fandom has sparked spectacular violence in the real world, from bombings to mass shootings. Reichsrock thus sounds an urgent message about a global menace."--Back cover.
591    Record updated by Marcive processing 21 June 2024
650  0 Heavy metal (Music) |xSocial aspects.
650  0 Heavy metal (Music) |xPolitical aspects.
650  0 Punk rock music |xSocial aspects.
650  0 Punk rock music |xPolitical aspects.
650  0 White supremacy movements.
650  0 Neo-Nazism.
650  0 Hate groups.
911    Emerging Scholars Program Publications
852 0   |bstacks |hML3918.R63 |iD87 2017