LEADER 04030cam a2200481 a 4500001 263156 005 20240621232000.0 007 ta 008 180416s2013 caua b 001 0 eng 010 2012029355 019 793572715823219096830556938835911478844724366 020 9781606061220 020 1606061224 024 8 99953227538 035 (OCoLC)ocn812081099 035 263156 042 pcc 049 LHMA 040 JPG/DLC |beng |erda |cJPG |dDLC |dBTCTA |dERASA |dBDX |dYDXCP |dSMI |dIXA |dORC |dCDX |dRCJ |dU3G |dOCLCO |dUKMGB |dYUS |dIAD |dOCLCF |dCHVBK |dNYWWB |dOCLCQ |dTOH |dBWX |dP4I |dCSJ |dOCLCA |dLHM 050 00 N3999 |b.P76 2013 245 00 Provenance : |ban alternate history of art / |cedited by Gail Feigenbaum and Inge Reist. 264 1 Los Angeles : |bGetty Research Institute, |c[2013] 264 4 |c©2013 300 vii, 223 pages : |billustrations ; |c26 cm. 336 text |btxt |2rdacontent 337 unmediated |bn |2rdamedia 338 volume |bnc |2rdacarrier 340 |nregular print 490 1 Issues & debates 500 "This volume evolved from the session "Provenance: The Transformative Power," held at the 96th annual College Art Association conference in Dallas, 21 February 2008." 520 "This volume of essays offers new arguments regarding the significance of the social biography of art and the transformative power of ownership. It realigns the traditional art-historical paradigm that focuses on the moment of an object's origin and instead considers the longue durée of ownership. Whereas the term provenance may call to mind little more than a list of owners or the legal questions raised by competing entitlement claims, the essays in this book demonstrate that a nuanced approach recuperates important, even dramatic, aspects of the history of art. The authors present a broad perspective on provenance, investigating examples from Europe, Asia, Africa, and the Americas, and from ancient archaeology to conceptual art. They explore how stories of ownership are attached to objects, analyze important distinctions between provenance and provenience, and show how provenance can be monetized, politicized, suppressed, or otherwise instrumentalized."--Page 4 of cover. 504 Includes bibliographical references and index. 505 00 |gIntroduction / |rGail Feigenbaum and Inge Reist -- |gPart one: inscribing provenance -- |tManifest provenance / |rGail Feigenbaum -- |tIssues of provenance in the last emperor's art collecting / |rZaixin Hong -- |gPart two: the time and place of provenance -- |tFrom place to place: provenience, provenance, and archaeology / |rRosemary A. Joyce -- |tProvenance and value: the reception of Ancien Régime works of art under the French Revolution / |rDominique Poulot -- |gPart three: provenance and commerce -- |tFrom Mariette to Joullain: provenance and value in Eighteenth-century French auction catalogs / |rSophie Raux -- |tProvenance as pedigree: the marketing of British portraits in Gilded Age America / |rElizabeth A. Pergam -- |gPart four: provenance research instrumentalized -- |tFailure of provenance research in Germany / |rTilmann von Stockhausen -- |tMarketing the defamed: on the contradictory use of provenances in the Third Reich / |rUwe Fleckner -- |tTransfigured books: notes on some marks left by owners in books of American poetry printed from 1610 to 1820 / |rRoger E. Stoddard -- |tFuture circulations: on the work of Hans Haacke and Maria Eichhorn / |rJeannine Tang -- |tAfterword: the social life of provenance / |rAnne Higonnet. 591 Record updated by Marcive processing 21 June 2024 650 0 Art |xProvenance. 650 7 Art |xProvenance. |2fast |0(OCoLC)fst00815319 650 7 Provenienzforschung. |0(DE-588)7697228-8 |2gnd 650 7 Kunst. |0(DE-588)4114333-4 |2gnd 650 7 Herkunft. |0(DE-588)4120440-2 |2gnd 700 1 Feigenbaum, Gail. 700 1 Reist, Inge Jackson. 830 0 Issues & debates. 852 0 |bstacks |hN3999 |i.P76 2013