LEADER 02348cam a2200397 i 4500001 266542 005 20180803130223.0 008 170106t20182018enka b 001 0 eng c 010 2017568209 035 (OCoLC)ocn967854117 040 ERASA |beng |erda |cERASA |dOCLCO |dYDX |dBDX |dOCLCQ |dWTU |dTDF |dIUL |dOCLCF |dWAU |dDLC |dLHM 019 1005687335103540503210380324891038707045 020 9781783271887 |q(hardback) 020 1783271884 |q(hardback) 042 pcc 043 e-fr--- 050 4 ML3917.F8 |bM66 2018 049 LHMA 100 1 Moore, Rachel, |d1981 December 14- |eauthor. 245 10 Performing propaganda : |bmusical life and culture in Paris during the First World War / |cRachel Moore. 264 1 Woodbridge, Suffolk : |bThe Boydell Press, |c2018. 264 4 |c©2018 300 x, 243 pages : |billustrations ; |c24 cm. 336 text |btxt |2rdacontent 337 unmediated |bn |2rdamedia 338 volume |bnc |2rdacarrier 490 1 Music in society and culture 504 Includes bibliographical references (pages 221-234) and index. 520 This book looks at musical life in Paris between 1914 and 1918. It examines how Western art music became a central part of the home-front war effort, employed by both musicians and government as a powerful tool of propaganda. Drawing on a diverse range of archival material, the book explores how various facets of French musical life served, in very different ways, as propaganda. In short, it explores why music mattered during a period of prolonged conflict, whether as emotional catalyst, weapon, or tool. 505 0 Musical institutions on the home front -- The origins of wartime musical propaganda : from the written word to performing globetrotters -- Saint-Saëns's Germanophilie as a propaganda prototype -- Propaganda on the concert stage : the Matinées nationales -- Creativity and compromise at the Opéra -- Music publishing and the Édition française de musique classique. 650 0 World War, 1914-1918 |xMusic and the war. 650 0 World War, 1914-1918 |zFrance. 650 0 Music and war |zFrance |zParis |xHistory |y20th century. 650 0 Music in propaganda |zFrance |zParis |xHistory |y20th century. 830 0 Music in society and culture. 852 0 |bstacks |hML3917.F8 |iM66 2018