LEADER 03504cam a22005174i 4500001 272931 005 20240621232917.0 008 160303s2016 enka b 001 0 eng 010 2016003924 015 GBB6A1619 |2bnb 020 9781474246934 |q(hardback) 020 1474246931 |q(hardback) 020 |z9781474246965 |q(epdf) 020 |z9781474246941 |q(ePub) 024 8 40026764112 024 8 99970528249 035 (OCoLC)ocn932262562 035 272931 042 pcc 043 e-it--- 049 LHMA 040 DLC |beng |erda |cDLC |dYDXCP |dBDX |dBTCTA |dOCLCF |dOCLCO |dNDD |dOCLCO |dCHVBK |dOCLCO |dUBY |dCAAGO |dQGK |dYUS |dOCLCQ |dOCLCA |dWLU |dOCLCA |dUKMGB |dLHM 050 00 TR79 |b.C375 2016 100 1 Caruso, Martina, |eauthor. 245 10 Italian humanist photography from fascism to the Cold War / |cMartina Caruso. 264 1 London ;New York : |bBloomsbury Academic, an imprint of Bloomsbury Publishing, Plc, |c[2016] 300 xv, 213 pages : |billustrations ; |c25 cm 336 text |btxt |2rdacontent 336 still image |bsti |2rdacontent 337 unmediated |bn |2rdamedia 338 volume |bnc |2rdacarrier 504 Includes bibliographical references (pages 188-198) and index. 505 0 Antifascist Photography under Fascism -- Forging a "New" Peasant at the Istituto LUCE and Other Fascist organizations -- Rural kitsch, fashion, and the Nazi-Fascist alliance -- The Fascist avant-garde and the international photographic context -- Critical Fascists and the concept of the "Primitive" -- Leo Longanesi, D'Annunziano -- Non-Fascist cultures and "Primitive" rituals -- Conclusion -- Photography, Power, and Humiliation in the Second World War -- The erotics of the Uomo Nuovo -- The absent war in vernacular photography -- Censorship and the Ethiopian War -- The intellectual war correspondent -- Occhio Quadrato and 'Let Us Now Praise Famous Men' -- Allies, Partisans, and cameras -- Constructing and reconstructing the Resistance -- Conclusion -- Christ Stopped at Eboli: An Anthropology of the South -- The Madonna and Roosevelt -- The Politics of Miseria and the Communist Debate -- Sex, Magic, and Anthropology -- Photographers Marginalized -- For a Mediterranean Light -- Whose South? Conclusion -- Humanist Photography and the "Catholic" 'Family of Man' -- Searching for an "Italian Photography" from 'The Family of Man' to What is Man? -- The uncertain internationalization of Italian Humanist Photography -- "A bit sweet, a bit ironic, a bit pathetic": the Italian gaze in Pannunzio's 'Il Mondo' -- Can Catholic photographers also be humanist? -- Deliver us from evil: Pathos in the work of Mario Giacomelli -- 'Gli ultimi' in the suburbs of Milan -- Conclusion -- FINE ("THE END"): La Dolce Vita and the Burst into Technicolor -- Epigraph. 591 Record updated by Marcive processing 21 June 2024 650 0 Photography |zItaly |xHistory |y20th century. 650 0 Photography, Artistic |xHistory |y20th century. 650 0 Humanism in art. 650 7 Humanism in art. |2fast |0(OCoLC)fst00963527 650 7 Photography. |2fast |0(OCoLC)fst01061714 650 7 Photography, Artistic. |2fast |0(OCoLC)fst01061964 651 7 Italy. |2fast |0(OCoLC)fst01204565 650 7 Fotografie. |2gnd |0(DE-588)4045895-7 651 7 Italien. |2gnd |0(DE-588)4027833-5 648 7 1900-1999 |2fast 655 7 History. |2fast |0(OCoLC)fst01411628 852 0 |bstacks |hTR79 |i.C375 2016