LEADER 04420cam a2200529 i 4500001 280307 005 20240621234908.0 008 210824t20202020iluaf bq 001 0 eng 010 2019017187 019 108991185912283501481242424670 020 9780226472683 |q(cloth ; |qalkaline paper) 020 022647268X |q(cloth ; |qalkaline paper) 020 |z9780226472713 |q(e-book) 024 8 40029682964 035 (OCoLC)on1099539190 035 280307 042 pcc 049 LHMA 040 ICU/DLC |beng |erda |cDLC |dOCLCO |dOCLCF |dYDX |dBDX |dOCLCQ |dNYP |dXFF |dYUS |dCGU |dVP@ |dCMI |dOCL |dCHVBK |dOCLCO |dHIR |dSLV |dBDF |dCTU |dOCLCO |dLHM 050 00 PN1995.9.W3 |bK66 2020 100 1 Kornhaber, Donna, |d1979- |eauthor. 245 10 Nightmares in the dream sanctuary : |bwar and the animated film / |cDonna Kornhaber. 246 30 War and the animated film 264 1 Chicago ;London : |bThe University of Chicago Press, |c2020. 264 4 |c©2020 300 xix, 279 pages, 32 unnumbered pages of plates : |billustrations (some color) ; |c24 cm 336 text |btxt |2rdacontent 337 unmediated |bn |2rdamedia 338 volume |bnc |2rdacarrier 504 Includes bibliographical references (pages 265-269), filmography (pages 261-263), and index. 505 0 Introduction: Witness -- At War. Resistance -- Pacifism -- After War. Memory -- Memorial. 563 |3Copy 1.Binding: Includes original dust-jacket. |5ICU 520 "In 2008, Waltz with Bashir shocked the world by presenting a bracing story of war in what seemed like the most unlikely of formats--an animated film. Yet as Donna Kornhaber shows in this pioneering new book, the relationship between animation and war is actually as old as film itself. The world's very first animated movie was made to solicit donations for the Second Boer War, and even Walt Disney sent his earliest creations off to fight on gruesome animated battlefields drawn from his First World War experience. As Kornhaber strikingly demonstrates, the tradition of wartime animation, long ignored by scholars and film buffs alike, is one of the world's richest archives of wartime memory and witness. Generation after generation, artists have turned to this most fantastical of mediums to capture real-life horrors they can express in no other way. From Chinese animators depicting the Japanese invasion of Shanghai to Bosnian animators portraying the siege of Sarajevo, from African animators documenting ethnic cleansing to South American animators reflecting on torture and civil war, from Vietnam-era protest films to the films of the French Resistance, from firsthand memories of Hiroshima to the haunting work of Holocaust survivors, the animated medium has for more than a century served as a visual repository for some of the darkest chapters in human history. It is a tradition that continues even to this day, in animated shorts made by Russian dissidents decrying the fighting in Ukraine, American soldiers returning from Iraq, or Middle Eastern artists commenting on the Israeli-Palestinian conflict, the Arab Spring, or the ongoing crisis in Yemen. Nightmares in the Dream Sanctuary: War and the Animated Film vividly tells the story of these works and many others, covering the full history of animated film and spanning the entire globe. A rich, serious, and deeply felt work of groundbreaking media history, it is also an emotional testament to the power of art to capture the endurance of the human spirit in the face of atrocity"--Jacket. 591 Record updated by Marcive processing 21 June 2024 650 0 War films |xHistory and criticism. 650 0 Animated films |xHistory and criticism. 650 7 Animated films. |2fast |0(OCoLC)fst00809611 650 7 War films. |2fast |0(OCoLC)fst01170482 650 7 Animationsfilm. |2gnd |0(DE-588)4142484-0 650 7 Krieg |gMotiv. |2gnd |0(DE-588)4136410-7 650 7 Kriegsfilm. |2gnd |0(DE-588)4165687-8 650 7 |0(FrPBN)11982506Films de guerre |0(FrPBN)11975721 |xHistoire et critique. |2ram 650 7 |0(FrPBN)12549607Films d'animation |0(FrPBN)11975721 |xHistoire et critique. |2ram 655 7 Motion picture reviews. |2fast |0(OCoLC)fst01919941 655 7 Criticism, interpretation, etc. |2fast |0(OCoLC)fst01411635 655 7 Motion picture reviews. |2lcgft 852 0 |bscstacks |hPN1995.9.W3 |iK66 2020