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Bronislaw Falborski

Film | Digitized | Accession Number: 1996.166 | RG Number: RG-60.5059 | Film ID: 3809, 3810

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    Bronislaw Falborski

    Overview

    Description
    Bronislaw Falborski witnessed the deportation of Jews from Kolo to Chelmno. He talks about the speed of the gas vans. This interview takes place in Falborski’s home in Poland and was recorded during Lanzmann’s second trip to Poland.

    FILM ID 3809 -- Camera Rolls 1-5
    CR 1;2;3 (Rue à Midevits) CU, framed painting of Mary nursing baby Jesus on the wall. Mr. Falborski was the private driver for May from the autumn of 1941 to 1942. May lived in the house of a former forest warden, named Gay, in a town near Kolo. Falborski also lived in the house of an evicted forest warden. The wardens had been evicted because they were Polish. Falborski did not know German that well when he first began working for May, but after one year they could communicate without gestures. May supervised the German forest wardens in the area. Lanzmann asks when Falborski first learned of the exterminations in Chelmno.

    CR 4 (Tyzem) Falborski was almost shot the first time he went to Chelmno. He had parked the car in the forest to let May out, and decided to follow May into the woods. About 100 meters along the forest path he was stopped by a Gestapo who demanded to know what Falborski was doing in the woods. The Gestapo had his gun aimed at Falborski when May came back and stopped Falborski from being shot. He moved the car back to a forest warden's house. The state employee who lived there told Falborski that Jews were being exterminated in the forest. Falborski did not discuss this with May, but with May's wife. Falborski claims he cannot say anything bad about May, as was always treated well by him. Falborski went to the forest many times, as well as the village of Chelmno. Falborski describes how the Polish citizens of Chelmno had been evicted and the castle became the designated camp for the Jews.

    CR5 (Tyzem) Gas vans would leave the castle at the same time empty vans from the forest would return. Typically, two people sat in the front of the grey vans. They drove the vans slowly, at a calculated speed, so that the people inside would die before the van reached the forest. Once, a forest warden named Sendjak told Farboski a van had skidded. The Jewish prisoners fell out of the back of the van, still alive, and started to crawl on the ground. One of the Gestapo drivers shot them with his revolver. They Gestapo men then made the Jews of the Sonderkommando put the bodies back in the van and took them to be dumped in the clearing. The mass graves were roughly 500 to 700 meters from the road. Though he never went near the graves, Falborski and May could smell the odor of the decaying bodies. This was the only time the two men referred to the Jews.

    FILM ID 3810 -- Camera Roll 6
    CR6 Falborski knew what was happening in Chelmno because a young man in the Gestapo told him. The man told Falborski that Jews entering the camp were told they had to go through a disinfection process. Before they were taken away, their jewelry and gold teeth were forcibly removed. Finally, they were forced into the vans and taken to the forest. In Kolo, the city where Falborski lived, the Jews were grouped together at the synagogue and then chased by Germans to the train station which took them to Chelmno.
    Duration
    00:34:00
    Date
    Event:  March/April 1979 (Pologne II)
    Production:  1985
    Locale
    Poland
    Credit
    Created by Claude Lanzmann during the filming of "Shoah," used by permission of USHMM and Yad Vashem
    Contributor
    Director: Claude Lanzmann
    Camera Operator: William Lubtchansky
    Interpreter: Barbara Janica
    Biography
    Claude Lanzmann was born in Paris to a Jewish family that immigrated to France from Eastern Europe. He attended the Lycée Blaise-Pascal in Clermont-Ferrand. His family went into hiding during World War II. He joined the French resistance at the age of 18 and fought in the Auvergne. Lanzmann opposed the French war in Algeria and signed a 1960 antiwar petition. From 1952 to 1959 he lived with Simone de Beauvoir. In 1963 he married French actress Judith Magre. Later, he married Angelika Schrobsdorff, a German-Jewish writer, and then Dominique Petithory in 1995. He is the father of Angélique Lanzmann, born in 1950, and Félix Lanzmann (1993-2017). Lanzmann's most renowned work, Shoah, is widely regarded as the seminal film on the subject of the Holocaust. He began interviewing survivors, historians, witnesses, and perpetrators in 1973 and finished editing the film in 1985. In 2009, Lanzmann published his memoirs under the title "Le lièvre de Patagonie" (The Patagonian Hare). He was chief editor of the journal "Les Temps Modernes," which was founded by Jean-Paul Sartre and Simone de Beauvoir, until his death on July 5, 2018. https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with-shoah
    Some women central to the production of "Shoah" (1985) include Hebrew interpreter, Francine Kaufmann; Polish interpreter, Barbra Janicka; Yiddish interpreter, Mrs. Apflebaum; assistant directors, Corinna Coulmas and Irena Steinfeldt; editors, Ziva Postec and Anna Ruiz; and assistant editor, Yael Perlov.

    Physical Details

    Language
    Polish
    Genre/Form
    Outtakes.
    B&W / Color
    Color
    Image Quality
    Fair
    Film Format
    • Master
    • Master 3809 Film: full-coat mag track - 16 mm - workprint
      Master 3810 Film: full-coat mag track - 16 mm - workprint
      Master 3809 Film: negative - 16 mm - color - silent - original negative - B-wind
      Master 3810 Film: negative - 16 mm - color - silent - original negative - B-wind
      Master 3809 Film: positive - 16 mm - b&w - workprint
      Master 3810 Film: positive - 16 mm - b&w - workprint
      Master 3809 Film: full-coat mag track - 16 mm - workprint
      Master 3810 Film: full-coat mag track - 16 mm - workprint
      Master 3809 Film: negative - 16 mm - color - silent - original negative - B-wind
      Master 3810 Film: negative - 16 mm - color - silent - original negative - B-wind
      Master 3809 Film: positive - 16 mm - b&w - workprint
      Master 3810 Film: positive - 16 mm - b&w - workprint
      Master 3809 Film: full-coat mag track - 16 mm - workprint
      Master 3810 Film: full-coat mag track - 16 mm - workprint
      Master 3809 Film: negative - 16 mm - color - silent - original negative - B-wind
      Master 3810 Film: negative - 16 mm - color - silent - original negative - B-wind
      Master 3809 Film: positive - 16 mm - b&w - workprint
      Master 3810 Film: positive - 16 mm - b&w - workprint
      Master 3809 Film: full-coat mag track - 16 mm - workprint
      Master 3810 Film: full-coat mag track - 16 mm - workprint
      Master 3809 Film: negative - 16 mm - color - silent - original negative - B-wind
      Master 3810 Film: negative - 16 mm - color - silent - original negative - B-wind
      Master 3809 Film: positive - 16 mm - b&w - workprint
      Master 3810 Film: positive - 16 mm - b&w - workprint
      Master 3561 Audio: Audiotape (reel-to-reel) - 1/4 inch - magnetic - sound
      Master 3561 Audio: Audiotape (reel-to-reel) - 1/4 inch - magnetic - sound
      Master 3561 Audio: Audiotape (reel-to-reel) - 1/4 inch - magnetic - sound
      Master 3561 Audio: Audiotape (reel-to-reel) - 1/4 inch - magnetic - sound
      Master 3562 Audio: Audiotape (reel-to-reel) - 1/4 inch - magnetic - sound
      Master 3562 Audio: Audiotape (reel-to-reel) - 1/4 inch - magnetic - sound
      Master 3562 Audio: Audiotape (reel-to-reel) - 1/4 inch - magnetic - sound
      Master 3562 Audio: Audiotape (reel-to-reel) - 1/4 inch - magnetic - sound
      Master 3563 Audio: Audiotape (reel-to-reel) - 1/4 inch - magnetic - sound
      Master 3563 Audio: Audiotape (reel-to-reel) - 1/4 inch - magnetic - sound
      Master 3563 Audio: Audiotape (reel-to-reel) - 1/4 inch - magnetic - sound
      Master 3563 Audio: Audiotape (reel-to-reel) - 1/4 inch - magnetic - sound
      Master 3564 Audio: Audiotape (reel-to-reel) - 1/4 inch - magnetic - sound
      Master 3564 Audio: Audiotape (reel-to-reel) - 1/4 inch - magnetic - sound
      Master 3564 Audio: Audiotape (reel-to-reel) - 1/4 inch - magnetic - sound
      Master 3564 Audio: Audiotape (reel-to-reel) - 1/4 inch - magnetic - sound

    Rights & Restrictions

    Conditions on Access
    You do not require further permission from the Museum to access this archival media.
    Copyright
    United States Holocaust Memorial Museum, Yad Vashem, State of Israel
    Conditions on Use
    Third party must sign the United States Holocaust Memorial Museum's SHOAH Outtakes Film License Agreement in order to reproduce and use film footage. Contact filmvideo@ushmm.org

    Keywords & Subjects

    Administrative Notes

    Film Provenance
    The United States Holocaust Memorial Museum purchased the Shoah outtakes from Claude Lanzmann on October 11, 1996. The Claude Lanzmann Shoah Collection is now jointly owned by the United States Holocaust Memorial Museum and Yad Vashem - The Holocaust Martyrs' and Heroes' Remembrance Authority.
    Note
    Claude Lanzmann spent twelve years locating survivors, perpetrators, and eyewitnesses for his nine and a half hour film Shoah released in 1985. Without archival footage, Shoah weaves together extraordinary testimonies to render the step-by-step machinery of the destruction of European Jewry. Critics have called it "a masterpiece" and a "monument against forgetting." The Claude Lanzmann SHOAH Collection consists of roughly 185 hours of interview outtakes and 35 hours of location filming.

    The audio is extremely muffled.
    Film Source
    Claude Lanzmann
    File Number
    Legacy Database File: 5785
    Record last modified:
    2024-02-21 07:50:43
    This page:
    https:​/​/collections.ushmm.org​/search​/catalog​/irn1004816

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