Etching by Walter Spitzer depicting 2 guards with 3 unclothed female concentration camp inmates
- Artwork Title
- La Selection, Le Cochon
- Alternate Title
- The Selection, The Pig
- Date
-
depiction:
1945
creation: 1955
- Geography
-
depiction:
Buchenwald (Concentration camp);
Weimar (Thuringia, Germany)
creation: Paris (France)
- Language
-
French
- Classification
-
Art
- Category
-
Prints
- Object Type
-
Etching (lcsh)
- Credit Line
- United States Holocaust Memorial Museum Collection, Gift of Ani Mander
Intaglio etched print created in 1955 by Walter Spitzer based upon his experiences as an inmate in Blechhammer and Buchenwald concentration camps from 1943-1945. Following the German invasion of Poland on September 1, 1939, Walter fled with his family from Cieszyn (Województwo Śląskie). In 1940, his brother, Harry, was taken away by German soldiers and his father, Samuel, died after surgery. In June 1943, he and his mother, Gretta, were deported to Blechhammer labor camp where they were separated. Walter was sent to Auschwitz-Birkenau, then Buchenwald, where the 17 year-old Spitzer began documenting camp life. He promised a fellow inmate to tell with his pencils all that he saw in the camps. Walter's family did not survive the war and he settled in France. He became a professional artist, creating an eloquent artistic record of the Shoah. Spitzer did the original drawings for this print set in 1945, following his liberation by US troops while on a death march. This print is part of a set of nine, number 2 of 30. Many of the drawings feature inmates referred to as Muselmann by the other prisoners, who avoided them. These are prisoners who are near death due to exhaustion, illness, starvation, or hopelessness.
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Record last modified: 2022-07-28 18:21:33
This page: https://collections.ushmm.org/search/catalog/irn4388
Also in Walter Spitzer collection
The collection consists of etchings created postwar by Walter Spitzer based upon his experiences as an inmate in Buchenwald and other concentration camps during the Holocaust.
Date: 1955
Etching by Walter Spitzer of a group of concentration camp inmates listening to a speaker
Object
Intaglio etched print created in 1955 by Walter Spitzer based upon his experiences as an inmate in Blechhammer and Buchenwald concentration camps from 1943-1945. Following the German invasion of Poland on September 1, 1939, Walter fled with his family from Cieszyn (Województwo Śląskie). In 1940, his brother, Harry, was taken away by German soldiers and his father, Samuel, died after surgery. In June 1943, he and his mother, Gretta, were deported to Blechhammer labor camp where they were separated. Walter was sent to Auschwitz-Birkenau, then Buchenwald, where the 17 year-old Spitzer began documenting camp life. He promised a fellow inmate to tell with his pencils all that he saw in the camps. Walter's family did not survive the war and he settled in France. He became a professional artist, creating an eloquent artistic record of the Shoah. Spitzer did the original drawings for this print set in 1945, following his liberation by US troops while on a death march. This print is part of a set of nine, number 2 of 30. Many of the drawings feature inmates referred to as Muselmann by the other prisoners, who avoided them. These are prisoners who are near death due to exhaustion, illness, starvation, or hopelessness. This print depicts a group of emaciated prisoners listening to another inmate speak, with barracks and a figure on a stretcher in the background.
Etching by Walter Spitzer depicting 3 emaciated concentration camp inmates
Object
Intaglio etched print created in 1955 by Walter Spitzer based upon his experiences as an inmate in Blechhammer and Buchenwald concentration camps from 1943-1945. Following the German invasion of Poland on September 1, 1939, Walter fled with his family from Cieszyn (Województwo Śląskie). In 1940, his brother, Harry, was taken away by German soldiers and his father, Samuel, died after surgery. In June 1943, he and his mother, Gretta, were deported to Blechhammer labor camp where they were separated. Walter was sent to Auschwitz-Birkenau, then Buchenwald, where the 17 year-old Spitzer began documenting camp life. He promised a fellow inmate to tell with his pencils all that he saw in the camps. Walter's family did not survive the war and he settled in France. He became a professional artist, creating an eloquent artistic record of the Shoah. Spitzer did the original drawings for this print set in 1945, following his liberation by US troops while on a death march. This print is part of a set of nine, number 2 of 30. Many of the drawings feature inmates referred to as Muselmann by the other prisoners, who avoided them. These are prisoners who are near death due to exhaustion, illness, starvation, or hopelessness
Etching by Walter Spitzer of a skeletal concentration camp inmate gazing at the empty food bowl of another
Object
Intaglio etched print created in 1955 by Walter Spitzer based upon his experiences as an inmate in Blechhammer and Buchenwald concentration camps from 1943-1945. Following the German invasion of Poland on September 1, 1939, Walter fled with his family from Cieszyn (Województwo Śląskie). In 1940, his brother, Harry, was taken away by German soldiers and his father, Samuel, died after surgery. In June 1943, he and his mother, Gretta, were deported to Blechhammer labor camp where they were separated. Walter was sent to Auschwitz-Birkenau, then Buchenwald, where the 17 year-old Spitzer began documenting camp life. He promised a fellow inmate to tell with his pencils all that he saw in the camps. Walter's family did not survive the war and he settled in France. He became a professional artist, creating an eloquent artistic record of the Shoah. Spitzer did the original drawings for this print set in 1945, following his liberation by US troops while on a death march. This print is part of a set of nine, number 2 of 30. Many of the drawings feature inmates referred to as Muselmann by the other prisoners, who avoided them. These are prisoners who are near death due to exhaustion, illness, starvation, or hopelessness. This print depicts a man seated at a table, sleeping with a peaceful expression on his face, next to his empty food bowl, while a skeletal inmate standing nearby looks on with longing and despair.
Etching by Walter Spitzer of 7 naked skeletal concentration camp inmates and 2 guards
Object
Intaglio etched print created in 1955 by Walter Spitzer based upon his experiences as an inmate in Blechhammer and Buchenwald concentration camps from 1943-1945. Following the German invasion of Poland on September 1, 1939, Walter fled with his family from Cieszyn (Województwo Śląskie). In 1940, his brother, Harry, was taken away by German soldiers and his father, Samuel, died after surgery. In June 1943, he and his mother, Gretta, were deported to Blechhammer labor camp where they were separated. Walter was sent to Auschwitz-Birkenau, then Buchenwald, where the 17 year-old Spitzer began documenting camp life. He promised a fellow inmate to tell with his pencils all that he saw in the camps. Walter's family did not survive the war and he settled in France. He became a professional artist, creating an eloquent artistic record of the Shoah. Spitzer did the original drawings for this print set in 1945, following his liberation by US troops while on a death march. This print is part of a set of nine, number 2 of 30. Many of the drawings feature inmates referred to as Muselmann by the other prisoners, who avoided them. These are prisoners who are near death due to exhaustion, illness, starvation, or hopelessness. This print depicts studies of several skeletal, naked male inmates, including a child, in an open space, with two uniformed camp guards.
Etching by Walter Spitzer of a dog attacking fallen concentration camp prisoners in an arena
Object
Intaglio etched print created by Walter Spitzer based upon his experiences as an inmate in Blechhammer and Buchenwald concentration camps from 1943-1945. Following the German invasion of Poland on September 1, 1939, Walter fled with his family from Cieszyn (Województwo Śląskie). In 1940, his brother, Harry, was taken away by German soldiers and his father, Samuel, died after surgery. In June 1943, he and his mother, Gretta, were deported to Blechhammer labor camp where they were separated. Walter was sent to Auschwitz-Birkenau, then Buchenwald, where the 17 year-old Spitzer began documenting camp life. He promised a fellow inmate to tell with his pencils all that he saw in the camps. Walter's family did not survive the war and he settled in France. He became a professional artist, creating an eloquent artistic record of the Shoah. Spitzer did the original drawings for this print set in 1945, following his liberation by US troops while on a death march. This print is part of a set of nine, number 2 of 30, created postwar. Many of the drawings feature inmates referred to as Muselmann by the other prisoners, who avoided them. These are prisoners who are near death due to exhaustion, illness, starvation, or hopelessness. This print depicts a dog attacking two fallen, naked prisoners iside an arena.
Etching by Walter Spitzer of concentration camp inmates hauling a cart of corpses, with one not yet dead
Object
Intaglio etched print created in 1955 by Walter Spitzer based upon his experiences as an inmate in Blechhammer and Buchenwald concentration camps from 1943-1945. Following the German invasion of Poland on September 1, 1939, Walter fled with his family from Cieszyn (Województwo Śląskie). In 1940, his brother, Harry, was taken away by German soldiers and his father, Samuel, died after surgery. In June 1943, he and his mother, Gretta, were deported to Blechhammer labor camp where they were separated. Walter was sent to Auschwitz-Birkenau, then Buchenwald, where the 17 year-old Spitzer began documenting camp life. He promised a fellow inmate to tell with his pencils all that he saw in the camps. Walter's family did not survive the war and he settled in France. He became a professional artist, creating an eloquent artistic record of the Shoah. Spitzer did the original drawings for this print set in 1945, following his liberation by US troops while on a death march. This print is part of a set of nine, number 2 of 30. Many of the drawings feature inmates referred to as Muselmann by the other prisoners, who avoided them. These are prisoners who are near death due to exhaustion, illness, starvation, or hopelessness.
Etching by Walter Spitzer of concentration camp inmates begging, digging in a dumpster, and hauling corpses
Object
Intaglio etched print created in 1955 by Walter Spitzer based upon his experiences as an inmate in Blechhammer and Buchenwald concentration camps from 1943-1945. Following the German invasion of Poland on September 1, 1939, Walter fled with his family from Cieszyn (Województwo Śląskie). In 1940, his brother, Harry, was taken away by German soldiers and his father, Samuel, died after surgery. In June 1943, he and his mother, Gretta, were deported to Blechhammer labor camp where they were separated. Walter was sent to Auschwitz-Birkenau, then Buchenwald, where the 17 year-old Spitzer began documenting camp life. He promised a fellow inmate to tell with his pencils all that he saw in the camps. Walter's family did not survive the war and he settled in France. He became a professional artist, creating an eloquent artistic record of the Shoah. Spitzer did the original drawings for this print set in 1945, following his liberation by US troops while on a death march. This print is part of a set of nine, number 2 of 30. Many of the drawings feature inmates referred to as Muselmann by the other prisoners, who avoided them. These are prisoners who are near death due to exhaustion, illness, starvation, or hopelessness.
Etching by Walter Spitzer of 2 emaciated concentration camp inmates walking arm in arm
Object
Intaglio etched print created in 1955 by Walter Spitzer based upon his experiences as an inmate in Blechhammer and Buchenwald concentration camps from 1943-1945. Following the German invasion of Poland on September 1, 1939, Walter fled with his family from Cieszyn (Województwo Śląskie). In 1940, his brother, Harry, was taken away by German soldiers and his father, Samuel, died after surgery. In June 1943, he and his mother, Gretta, were deported to Blechhammer labor camp where they were separated. Walter was sent to Auschwitz-Birkenau, then Buchenwald, where the 17 year-old Spitzer began documenting camp life. He promised a fellow inmate to tell with his pencils all that he saw in the camps. Walter's family did not survive the war and he settled in France. He became a professional artist, creating an eloquent artistic record of the Shoah. Spitzer did the original drawings for this print set in 1945, following his liberation by US troops while on a death march. This print is part of a set of nine, number 2 of 30. Many of the drawings feature inmates referred to as Muselmann by the other prisoners, who avoided them. These are prisoners who are near death due to exhaustion, illness, starvation, or hopelessness. This print depicts two emaciated figures walking with their arms intertwined.
Cover for a set of etchings by Walter Spitzer inscribed by the artist
Object
Cover to a set of etchings created by Walter Spitzer in 1955 based upon his experiences as an inmate in multiple concentration camps during the Holocaust. Following the German invasion of Poland in September 1939, Walter fled with his family from Cieszyn (Województwo Śląskie). In 1940, his brother, Harry, was taken away by German soldiers and his father died after surgery. In June 1943, he and his mother, Gretta, were deported to Blechhammer labor camp where they were separated. Walter was sent to Auschwitz-Birkenau and tattooed with the number 78489. The 17 year-old Spitzer began documenting camp life in Buchenwald where he promised a fellow inmate to tell with his pencils all that he saw in the camps. Walter's family did not survive the war and he settled in France. He became a professional artist, creating an eloquent artistic record of the Shoah.
