Ben Shahn poster with an image of a hooded man protesting the Nazi destruction of Lidice
- Artwork Title
- This is Nazi Brutality
- Series Title
- Office of War Information poster, no. 11
1942 June 11
- Object Type
Posters, American (lcsh)
- Credit Line
- United States Holocaust Memorial Museum Collection. The acquisition of this collection was made possible by the Crown Family.
Poster created by Ben Shahn for the US Office of War Information as a response to the Nazi-led annihilation and destruction of communities throughout the Czech Republic, including Lidice. It also protests the retaliatory measures taken for the attempted assassination by Czech resistance members of Reinhard Heydrich, director of the Protectorate of Bohemia and Moravia, under the Nazi occupation.
Record last modified: 2019-12-05 21:21:10
This page: https://collections.ushmm.org/search/catalog/irn545816
Also in United States homefront poster collection
The collection consists of thirteen posters relating to the war effort in the United States before and during World War II.
Security of War Information Campaign poster warning people to guard what they say in public because it could lead to the death of military personnel. The poster was designed by Stevan Dohanos, an illustrator and painter known for his “American Realist” style and depictions of everyday life. The poster was part of the Security of War Information Campaign, also known as the “hush-hush campaign.” This cooperative project was undertaken by the Office of War Information (OWI) with the oversight of a Security Committee, which included representatives from the OWI, the Army, Navy, FBI, and other agencies. The campaign focused on educating the public about the need for discretion in their communication to prevent information from being leaked to the enemy. The need to manage information about the war on the home front led to the establishment of the OWI in June 1942. This office controlled the design and distribution of war information to the American public in print, radio, and film media, and commissioned work from leading artists. The American campaign drew on themes from the British “careless talk series” of 1940. It highlighted the many ways that careless talk could leak sensitive information that enemies would use to kill soldiers, sink ships, and undermine the war effort.