Overview
- Credit Line
- United States Holocaust Memorial Museum Collection. The acquisition of this collection was made possible by David and Sharon Leiman.
Physical Details
- Classification
-
Art
- Category
-
Drawings
- Object Type
-
Drawing (lcsh)
- Physical Description
- Colored print of geometric figures
- Dimensions
- overall: Height: 9.000 inches (22.86 cm) | Width: 12.000 inches (30.48 cm)
- Materials
- overall : paper, crayon, ink
Rights & Restrictions
- Conditions on Access
- No restrictions on access
- Conditions on Use
- No restrictions on use
Administrative Notes
- Legal Status
- Permanent Collection
- Provenance
- The artwork was acquired by the United States Holocaust Memorial Museum in 2019. Acquisition of this collection was made possible by David and Sharon Leiman.
- Record last modified:
- 2023-10-26 13:59:36
- This page:
- https://collections.ushmm.org/search/catalog/irn707970
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Jack Garfein papers
Document
The Jack Garfein papers document the Holocaust-era and post-war experiences of Jack Garfein (born Jakob Garfein), originally of Bardejov, Czechoslovakia (Bardejov, Slovakia), including his survival of several concentration camps including Auschwitz and Bergen-Belsen, his life as a displaced person in Sweden, his career as a successful theater and film director, and his involvement in education and causes related to the Holocaust. The collection primarily consists of biographical material, correspondence, Holocaust subject files, and photographs. Biographical material includes documents and records regarding Jack’s recovery in Malmö, Sweden, his career in theater and film, and family history. Swedish DP camp materials include a handwritten personal narrative in German in a notebook describing his Holocaust experience, identification papers, tobacco ration card, list of DP refugees, and a pamphlet about Folke Bernadotte. Other material includes an autograph book, personal narratives, writings, and speeches regarding his holocaust experience and post-war life in the United States; clippings; school papers; Spiegel family genealogy; and restitution paperwork. Correspondence includes letters received while in the DP camp in Sweden, Spiegel family correspondence, letters from Leo and Hedy Weinheber, a Jewish family in Stockholm whom Jack spent Jewish holidays with, and letters from Sister Hedwig Ekberg, the nurse who helped care for him in Malmö in 1945, and whom he visited in 1962. Other correspondence includes copies of letters to the editor by Jack for various publications, and letters received after the airing in 1985 of the documentary on Jack’s life “The Journey Back.” Holocaust subject files primarily consist of clippings, publications, and copies of documents related to Bardejov, Auschwitz, and related topics. Included are materials related to The First Tribute to the One Million Children of the Holocaust and Salute to the Warsaw Ghetto Heroes, two events organized by Jack. Also included are copies of registers of Jews in Bardejov, 1941 and some papers belonging to Jozef Gross that Jack retrieved during a visit to Bratislava. Photographs include depictions of the Garfein family prior to the Holocaust, Sweden in 1945 and 1962, Bardejov, and Jack during the filming of “The Journey Back.” Pre-war depictions of the Garfein family include Jack’s parents, Herman and Blanka Garfein, a wedding, and Herman’s lumberyard business. Loose photographs and an album depict Jack in Malmö and likely Almhult, and include photographs of other refugees and his reunion with Sister Hedwig Ekberg in 1962. Photographs of Bardejov include a Jewish school class, deportation committee run by Catholic priests, and a synagogue.