Advanced Search

Learn About The Holocaust

Special Collections

My Saved Research

Login

Register

Help

Skip to main content

Aleksander Kulisiewicz sound recordings - Taśmoteka Nagran Dokumentalnych [TND]

Recorded Sound | Digitized | Accession Number: 1992.A.0034.2 | RG Number: RG-91.0207

Search this record's additional resources, such as finding aids, documents, or transcripts.

No results match this search term.
Check spelling and try again.

results are loading

0 results found for “keyward

    Aleksander Kulisiewicz sound recordings - Taśmoteka Nagran Dokumentalnych [TND]

    Overview

    Description
    52 sound reels including various documentary tape recordings that Kulisiewicz compiled containing songs and poetry written in concentration camps, concerts by Kulisiewicz, interviews with Kulisiewicz and other musicians, and other radio or television programs.
    Date
    Recorded:  approximately 1945-1982
    Credit
    United States Holocaust Memorial Museum, courtesy of Krzysztof Kulisiewicz
    Contributor
    Collector: Aleksander T. Kulisiewicz
    Biography
    Aleksander (Alexander) Kulisiewicz (1918-1982) was born in Kraków, Poland in 1918. He was a law student in German-occupied Poland when, in October 1939, he was denounced for antifascist writings, arrested by the Gestapo, and sent to the Sachsenhausen concentration camp, near Berlin. An amateur singer and songwriter, Kulisiewicz composed 54 songs during more than five years of imprisonment at Sachsenhausen. After Russian troops liberated the camp on May 2, 1945, he remembered his songs, as well as those learned from fellow prisoners, dictating hundreds of pages of text to his attending nurse at a Polish infirmary. The majority of Kulisiewicz’s songs are darkly humorous ballads concerning the sadistic treatment of prisoners. Performed at secret gatherings, imbued with biting wit and subversive attitude, these songs helped inmates cope with their hunger and despair, raised morale, and offered hope of survival. Beyond this spiritual and psychological purport, Kulisiewicz also considered the camp song to be a form of documentation. “In the camp,” he wrote, “I tried under all circumstances to create verses that would serve as direct poetical reportage. I used my memory as a living archive. Friends came to me and dictated their songs.” In the 1950s, Kulisiewicz began amassing a private collection of music, poetry, and artwork created by camp prisoners, gathering this material through correspondence and hundreds of hours of recorded interviews. In the 1960s, he inaugurated a series of public recitals of his repertoire of camp songs, and issued several recordings. Kulisiewicz’s major project, a monumental study of the cultural life of the camps and the vital role music played as a means of survival for many prisoners, remained unpublished at the time of his death. He toured both Europe and the United States performing concerts of his works and the works of other Holocaust survivors until about 1980. He died in Kraków, Poland, on March 12, 1982. His archive is the largest extant collection of music composed in the camps.
    Format
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches
    Audiotape (reel-to-reel); magnetic; 7 inches

    Physical Details

    Language
    Polish
    Genre/Form
    Documentary.

    Rights & Restrictions

    Conditions on Access
    You do not require further permission from the Museum to access this archival media.
    Copyright
    Copyright Undetermined
    Conditions on Use
    Owner of copyright, if any, is undetermined. It is possible this is an orphan work. It is the responsibility of anyone interested in reproducing, broadcasting, or publishing content to determine copyright holder and secure permission, or perform a diligent Fair Use analysis.

    Keywords & Subjects

    Administrative Notes

    Recorded Sound Provenance
    Aleksander Kulisiewicz compiled the small archive of music, poetry, literature, photographs, and sound recordings during the years after his liberation from Sachsenhausen concentration camp at the end of World War II. Many of the reproductions in the collection are a result of Kulisiewicz borrowing materials from former fellow camp inmates and other camp survivors. He did this in order to build a research collection which he would use to compile and publish his anthology of concentration camp music and poetry. Kulisiewicz was unsuccessful in publishing the anthology before his death, and many of the drafts for the work are found in this collection. His son, Krzysztof Kulisiewicz, obtained the collection in 1989 and sold it to the United States Holocaust Memorial Museum in 1990. The United States Holocaust Memorial Museum received the paper records, photographs, sound recordings, microfilm, and artifacts on March 2, 1992.
    Recorded Sound Source
    Krzysztof Kulisiewicz
    Record last modified:
    2024-02-21 07:29:56
    This page:
    https:​/​/collections.ushmm.org​/search​/catalog​/irn712185

    Download & Licensing

    In-Person Research

    Contact Us