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Unsettling scores : German film, music, and ideology / Roger Hillman.

Publication | Digitized | Library Call Number: ML2075 .H54 2005

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    Book cover

    Overview

    Format
    Book
    Author/Creator
    Hillman, Roger.
    Published
    Bloomington : Indiana University Press, c2005
    Locale
    Germany
    Contents
    Establishing a tonal center
    Music as cultural marker in German film
    History on the soundtrack : the example of Beethoven's Ninth
    A Wagnerian German requiem : Syberberg's Hitler (1977)
    Alexander Kluge's Songs without words : Die Patriotin (1979)
    Fassbinder's compromised request concert : Lili Marleen (1980)
    The great eclecticism of the filmmaker Werner Herzog
    Pivot chords : Austrian music and Visconti's Senso (1954)
    Conclusion : film music and cultural memory.
    Notes
    Includes bibliographical references (p. 199-212) and index.
    Establishing a tonal center -- Music as cultural marker in German film -- History on the soundtrack : the example of Beethoven's Ninth -- A Wagnerian German requiem : Syberberg's Hitler (1977) -- Alexander Kluge's Songs without words : Die Patriotin (1979) -- Fassbinder's compromised request concert : Lili Marleen (1980) -- The great eclecticism of the filmmaker Werner Herzog -- Pivot chords : Austrian music and Visconti's Senso (1954) -- Conclusion : film music and cultural memory.

    Physical Details

    Language
    English
    ISBN
    0253345375
    0253217547 (pbk. : alk. paper)
    Additional Form
    Electronic version(s) available internally at USHMM
    Physical Description
    xi, 219 p. : ill. ; 24 cm.

    Keywords & Subjects

    Record last modified:
    2023-04-14 17:18:00
    This page:
    https:​/​/collections.ushmm.org​/search​/catalog​/bib113182

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