Physical Description
xi, 219 p. : ill. ; 24 cm.
Contents
Establishing a tonal center
Music as cultural marker in German film
History on the soundtrack : the example of Beethoven's Ninth
A Wagnerian German requiem : Syberberg's Hitler (1977)
Alexander Kluge's Songs without words : Die Patriotin (1979)
Fassbinder's compromised request concert : Lili Marleen (1980)
The great eclecticism of the filmmaker Werner Herzog
Pivot chords : Austrian music and Visconti's Senso (1954)
Conclusion : film music and cultural memory.
ISBN
0253345375
0253217547 (pbk. : alk. paper)
Notes
Includes bibliographical references (p. 199-212) and index.
Establishing a tonal center -- Music as cultural marker in German film -- History on the soundtrack : the example of Beethoven's Ninth -- A Wagnerian German requiem : Syberberg's Hitler (1977) -- Alexander Kluge's Songs without words : Die Patriotin (1979) -- Fassbinder's compromised request concert : Lili Marleen (1980) -- The great eclecticism of the filmmaker Werner Herzog -- Pivot chords : Austrian music and Visconti's Senso (1954) -- Conclusion : film music and cultural memory.
Additional Form
Electronic version(s) available internally at USHMM
