- Series
- Studies in German literature, linguistics, and culture
Studies in German literature, linguistics, and culture (Unnumbered)
- Format
- Book
- Published
- Rochester, N.Y. : Camden House, 2010
- Locale
- Germany
- Contents
-
Foreword: Adapting (to) history / Linda Hutcheon
Preface and acknowledgments
Introduction: Adapting the past for the present / Susan G. Figge and Jenifer K. Ward
Getting the last laugh: Die Degenhardts as Nazi Redemption of Der letzte Mann / Cary Nathenson
Controlled chaos: a case study of photomontage in Weimar / Rachel Epp Buller
Mensch, das ist ja wie im Kino! Emil and the Detectives go to the movies in Berlin / Richard C. Figge
Ich mochte einmal alles erzahlen: The Nazi era in three fictional tellings and their cinematic retellings / Susan G. Figge and Jenifer K. Ward
Ein Gemenge aus Nacht und Licht, Schwarz und Hell: Götz Friedrich's film adaptation of "Elektra" / Maria Euchner
Irresistible innocence: Reappropriations of Weimar and Nazi-era Schlager / Sunka Simon
Counter voice in adaptation: Elisabeth Langgässer's reappearance in Cordelia Edvardson's memoir "Burned child seeks the fire" / Thomas Sebastian
W.G. Sebald's Austerlitz: Adaptation as restitution / Elizabeth Baer
Alltag becomes Alltagsgeschichte: The Haus der Geschichte in Lutherstadt Wittenberg and the DDR Museum Berlin / Irene Lazda
Show and tell: Doris Dörrie's strategies of adaptation in "Bin ich schön" / Mareike Herrmann.
- Other Authors/Editors
- Figge, Susan G., 1942-
Ward, Jenifer K., 1958-
- Notes
-
Includes bibliographical references and index.
Foreword: Adapting (to) history / Linda Hutcheon -- Preface and acknowledgments -- Introduction: Adapting the past for the present / Susan G. Figge and Jenifer K. Ward -- Getting the last laugh: Die Degenhardts as Nazi Redemption of Der letzte Mann / Cary Nathenson -- Controlled chaos: a case study of photomontage in Weimar / Rachel Epp Buller -- Mensch, das ist ja wie im Kino! Emil and the Detectives go to the movies in Berlin / Richard C. Figge -- Ich mochte einmal alles erzahlen: The Nazi era in three fictional tellings and their cinematic retellings / Susan G. Figge and Jenifer K. Ward -- Ein Gemenge aus Nacht und Licht, Schwarz und Hell: Götz Friedrich's film adaptation of "Elektra" / Maria Euchner -- Irresistible innocence: Reappropriations of Weimar and Nazi-era Schlager / Sunka Simon -- Counter voice in adaptation: Elisabeth Langgässer's reappearance in Cordelia Edvardson's memoir "Burned child seeks the fire" / Thomas Sebastian -- W.G. Sebald's Austerlitz: Adaptation as restitution / Elizabeth Baer -- Alltag becomes Alltagsgeschichte: The Haus der Geschichte in Lutherstadt Wittenberg and the DDR Museum Berlin / Irene Lazda -- Show and tell: Doris Dörrie's strategies of adaptation in "Bin ich schön" / Mareike Herrmann.
