- Format
- Book
- Published
- New York, NY : The Continuum International Pub. Group, 2011
- Contents
-
Origins, Histories, and Genealogies. Cinema beyond Good and Evil? Nazi Exploitation in the Cinema of the 1970s and its Heritage / by Marcus Stiglegger
Sexual Deviance and the Naked Body in Cinematic Representations of Nazis / by Michael Richardson
Ilsa and Elsa: Nazisploitation, Mainstream Film, and Cinematic Transference / by Alicia Kozma
Reproducing the Fourth Reich: Cloning, Nazisploitation, and Revival of the Repressed / by Elizabeth Bridges
Utterly without Redeeming Social Value? "Nazi Science" Beyond Exploitation Cinema / by James J. Ward
Bitches, Whores, and Dominatrices. The Third Reich as Bordello and Pig Sty: Between Neodecadence and Sexploitation in Tinto Brass's Salon Kitty / by Robert von Dassanowsky
Revisiting the Cruel Apparatus: Disability, Queerness, and Taste in In a Glass Cage / by David Church
Eine Armee Gretchen: Nazisploitation Made in Switzerland / by Benedikt Eppenberger
Meshes of Power: The Concentration Camp as Pulp or Art House in Liliana Cavani's The Night Porter / by Elissa Mailender
Heroes, Villains, and the Undead. Digital Nazis: Genre, History and the Displacement of Evil in First-Person Shooters / by Jeff Hayton
Captain America Lives Again and So Do the Nazis: Nazisploitation in Comics after 9/11 / by Craig This
A Past that Refuses to Die: Nazi Zombie Film and the Legacy of Occupation / by Sven Jüngerkes and Christiane Wienand
Messing Up World War II-Exploitation: The Challenges of Role-Play in Quentin Tarantino's Inglourious Basterds / by Mimmi Woisnitza
Of Blitzkriege and Endlsungen: The Resurrection of a Dead Genre? / by Michael Fuchs.
- Other Authors/Editors
- Magilow, Daniel H., 1973-
Bridges, Elizabeth, 1972-
Vander Lugt, Kristin T.
- Notes
-
Includes bibliographical references and index.
Includes filmography.
Origins, Histories, and Genealogies. Cinema beyond Good and Evil? Nazi Exploitation in the Cinema of the 1970s and its Heritage / by Marcus Stiglegger -- Sexual Deviance and the Naked Body in Cinematic Representations of Nazis / by Michael Richardson -- Ilsa and Elsa: Nazisploitation, Mainstream Film, and Cinematic Transference / by Alicia Kozma -- Reproducing the Fourth Reich: Cloning, Nazisploitation, and Revival of the Repressed / by Elizabeth Bridges -- Utterly without Redeeming Social Value? "Nazi Science" Beyond Exploitation Cinema / by James J. Ward -- Bitches, Whores, and Dominatrices. The Third Reich as Bordello and Pig Sty: Between Neodecadence and Sexploitation in Tinto Brass's Salon Kitty / by Robert von Dassanowsky -- Revisiting the Cruel Apparatus: Disability, Queerness, and Taste in In a Glass Cage / by David Church -- Eine Armee Gretchen: Nazisploitation Made in Switzerland / by Benedikt Eppenberger -- Meshes of Power: The Concentration Camp as Pulp or Art House in Liliana Cavani's The Night Porter / by Elissa Mailender -- Heroes, Villains, and the Undead. Digital Nazis: Genre, History and the Displacement of Evil in First-Person Shooters / by Jeff Hayton -- Captain America Lives Again and So Do the Nazis: Nazisploitation in Comics after 9/11 / by Craig This -- A Past that Refuses to Die: Nazi Zombie Film and the Legacy of Occupation / by Sven Jüngerkes and Christiane Wienand -- Messing Up World War II-Exploitation: The Challenges of Role-Play in Quentin Tarantino's Inglourious Basterds / by Mimmi Woisnitza -- Of Blitzkriege and Endlsungen: The Resurrection of a Dead Genre? / by Michael Fuchs.
