Film and genocide / edited by Kristi M. Wilson and Tomás F. Crowder-Taraborrelli.

Includes bibliographical references (pages 241-254) and index.

Introduction / Kristi M. Wilson and Tomás F. Crowder-Taraborrelli -- Part I : Atrocities, Spectatorship, and Memory -- Film and Atrocity : The Holocaust as Spectacle / Sophia Wood -- Documenting Atrocity in Orson Welles's The Stranger / Jennifer Barker -- Remembering Revolution after Ruin and Genocide : On Recent Chilean Documentary Films and the Writing of History / Michael J. Lazzara -- "The Power to Imagine" : Genocide, Exile, and Ethical Memory in Atom Egoyan's Ararat / Georgiana Banita -- Part II : Coloniality and Postcoloniality -- Massacre and the Movies : Soldier Blue and the Sand Creek Massacre of 1864 / Paul R. Bartrop -- The Other in Genocide : Responsibility and Benevolence in Rabbit Proof Fence / Donna-Lee Frieze -- Genres of "Yet an Other Genocide" : Cinematic Representations of Rwanda / Madelaine Hron -- Part III : Visual Documentation and Genocide -- The Specter of Genocide in Errol Morris's The Fog of War : Eleven Lessons from the Life of Robert S. McNamara / Kristi M. Wilson -- GIs Documenting Genocide : Amateur Films of World War II Concentration Camps / Marsha Orgeron -- Through the Open Society Archives to The Portraitist : Film's Impulse Toward Death and Witness / Stephen Cooper -- Part IV : Interviews -- Greg Barker, director of Ghosts of Rwanda (2004) / Interviewed by Richard O'Connell -- Nick Hughes, director of 100 Days (2001) / Interviewed by Piotr A. Cieplak -- Irek Dobrowolski, director of The Portraitist (2005) / Interviewed by Stephen Cooper.