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The broken voice : reading post-Holocaust literature / Robert Eaglestone

Publication | Library Call Number: PN56.H55 E24 2017
Book cover

'Which writer today is not a writer of the Holocaust' asked the late Imre Kertész, Hungarian survivor and novelist, in his Nobel acceptance speech: 'one does not have to choose the Holocaust as one's subject to detect the broken voice that has dominated modern European art for decades'. Robert Eaglestone attends to this broken voice in literature in order to explore the meaning of the Holocaust in the contemporary world, arguing, again following Kertész, that the Holocaust will 'remain through culture, which is really the vessel of memory'. Drawing on the thought of Hannah Arendt, Eaglestone identifies and develops five concepts -- the public secret, evil, stasis, disorientalism, and kitsch -- in a range of texts by significant writers (including Kazuo Ishiguro, Jonathan Littell, Imre Kertész, W. G. Sebald, and Joseph Conrad) as well as in work by victims and perpetrators of the Holocaust and of atrocities in Africa. He explores the interweaving of complicity, responsibility, temporality, and the often problematic powers of narrative which make up some part of the legacy of the Holocaust. -- From publisher's website.

Format
Book
Author/Creator
Eaglestone, Robert, 1968- author.
Published
Oxford, United Kingdom : Oxford University Press, 2017
©2017
Includes bibliographical references and index
Language
English
Edition
First edition
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Record last modified: 2018-05-29 08:23:00
This page: https://collections.ushmm.org/search/catalog/bib264387