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Judaism in music and other essays / Richard Wagner ; translated by William Ashton Ellis.

Publication | Not Digitized | Library Call Number: ML410.W1 A1267 1995

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    Book cover

    Overview

    Summary
    Musical genius, polemicist, explosive personality - that was the nineteenth-century German composer Richard Wagner, who paid as much attention to his reputation as to his genius. Often maddening, and sometimes called mad, Wagner wrote with the same intensity that characterized his music. The letters and essays collected in Judaism in Music and Other Essays were published during the 1850s and 1860s, the period when he was chiefly occupied with the creation of The Ring of the Nibelung. Highlighting this collection is the notorious 1850 article "Judaism in Music," which caused such a firestorm that nearly twenty years later Wagner published an unapologetic appendix. Other prose pieces include "On the Performing of Tannhauser," written while he was in political exile; "On Musical Criticism," an appeal for a more vital approach to art undivorced from life; and "Music of the Future." This volume concludes with letters to friends about the intent and performance of his great operas; estimations of Liszt, Beethoven, Mozart, Gluck, Berlioz, and others; and suggestions for the reform of opera houses in Vienna, Paris, and Zurich. The Bison Book edition includes the full text of volume 3 of William Ashton Ellis's 1894 translation commissioned by the London Wagner Society.
    Uniform Title
    Literary works. Selections. English
    Format
    Book
    Author/Creator
    Wagner, Richard, 1813-1883.
    Published
    Lincoln : University of Nebraska Press, [1995]
    Contents
    On the "Goethe-Stiftung"
    A Theatre at Zurich
    On Musical Criticism
    Judaism in Music
    Mementoes of Spontini
    Homage to L. Spohr and W. Fischer
    Gluck's Overture to "Iphigenia in Aulis"
    On the Performing of "Tannhauser"
    Remarks on Performing "The Flying Dutchman"
    Explanatory Programmes. 1. Beethoven's "Heroic Symphony" 2. Beethoven's Overture to "Coriolanus" 3. Overture to "Der fliegende Hollander" 4. Overture to "Tannhauser" 5. Prelude to "Lohengrin"
    On Franz Liszt's Symphonic Poems
    Epilogue to the "Nibelung's Ring"
    Preface to the "Ring" Poem
    A Letter to Hector Berlioz
    "Zukunftsmusik" ("Music of the Future")
    On the Production of "Tannhauser" in Paris
    The Vienna Opera-House.
    Other Authors/Editors
    Ellis, William Ashton, 1852-1919, translator.
    Notes
    Includes index.
    Originally published: Richard Wagner's prose works ; v. 3, The theatre. London : Kegan Paul, Trench, Trübner, 1907.
    Includes bibliographical references and index.
    On the "Goethe-Stiftung" -- A Theatre at Zurich -- On Musical Criticism -- Judaism in Music -- Mementoes of Spontini -- Homage to L. Spohr and W. Fischer -- Gluck's Overture to "Iphigenia in Aulis" -- On the Performing of "Tannhauser" -- Remarks on Performing "The Flying Dutchman" -- Explanatory Programmes. 1. Beethoven's "Heroic Symphony" 2. Beethoven's Overture to "Coriolanus" 3. Overture to "Der fliegende Hollander" 4. Overture to "Tannhauser" 5. Prelude to "Lohengrin" -- On Franz Liszt's Symphonic Poems -- Epilogue to the "Nibelung's Ring" -- Preface to the "Ring" Poem -- A Letter to Hector Berlioz -- "Zukunftsmusik" ("Music of the Future") -- On the Production of "Tannhauser" in Paris -- The Vienna Opera-House.

    Physical Details

    Language
    English
    External Link
    Publisher description
    ISBN
    0803297661
    9780803297661
    Physical Description
    xii, 432 pages ; 21 cm

    Keywords & Subjects

    Record last modified:
    2024-06-21 23:46:00
    This page:
    https:​/​/collections.ushmm.org​/search​/catalog​/bib278330

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