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US War Department Orientation Film for US Military Personnel in Occupied Germany

Film | Digitized | Accession Number: 1993.179.1 | RG Number: RG-60.2469 | Film ID: 2287

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    US War Department Orientation Film for US Military Personnel in Occupied Germany

    Overview

    Description
    Orientation Film no. 8. U.S. propaganda film telling the history of Germany with various atrocities and depicting Germans as friendly, trustworthy people. This film was used to demonstrate proper conduct to U.S. military personnel in postwar occupied Germany.

    Muddy faces of German POWs. CU, Hitler, swastika banners in street, Goebbels concentration camp gates, all "disappear." Ruins, small village. Bismarck's parade band, fighting on horseback across field. Idyllic country scenes, farming, dancing. Kaiser Wilhelm, "Deutschland ueber Alles", German troops marching in 1914 (scratchy), marching along roads, destruction/ruins in Europe, war chaos. More idyllic scenes, "cultural scenes" (orchestra). US Army parading (in retreat). WWII scenes, takeover of Europe. MCU, SS parade by, Czech woman cries into kerchief as they heil. CU, crying Polish woman, bodies in rubble, civilians devastated, crying over coffin, rubble/ruins. 01:06:32 Long sequence: US Army soldiers - wounded, tired, badly injured, burnt, amputated, freezing. Cut to folk dancing, travelogue shots of small town in Germany. Alternating shots of SA, SS parades and Nazi officials with "regular" civilian shots. Streets with swastikas, businesses against CUs various German professionals (postman, toymakers, cooks, clockworkers, clockmakers) - "practically every German was part of the network." Hitler Youth standing at attention, marching under "Nordmar Lager 1935" gate, parading, older teens, too; goosestepping. VAR MCUs Labor battalions marching. 01:11:04 CUs, Germans: old men, children, women - daily life - eating, etc. "Germans are not our friends." Flashbacks of Nazi footage, destroyed Allied cities (Rotterdam), ruins in Russia, refugees, corpses, injured Allied soldiers. Women and men slaveworkers shoveling. HAS, swastika flags. MCU German soldiers, German military industry, corpses. War scenes contrasted with peaceful bucolic settings.

    Sampling of the narration accompanying the film: "Just one mistake may cost you your life. Trust none of them." "Some day the German people might be cured of their disease. The super race disease. The world conquest disease. But they must prove that they have been cured beyond the shadow of a doubt before they ever again are allowed to take their place among respectable nations. Until that day. We stand guard."
    Film Title
    Your Job in Germany
    Duration
    00:14:46
    Date
    Production:  1945
    Locale
    Germany
    Rotterdam, Netherlands
    Soviet Union
    Poland
    Credit
    Accessed at United States Holocaust Memorial Museum, courtesy of National Archives & Records Administration
    Contributor
    Director: Theodor Geisel
    Director: Frank R. Capra
    Producer: U.S. War Department
    Biography
    Frank Capra was an Italian American film director, producer, and writer born in Italy and raised in Los Angeles from the age of five. Capra became one of America's most influential directors during the 1930s, winning three Academy Awards for Best Director from six nominations, along with three other Oscar wins from nine nominations in other categories. Among his leading films were "It Happened One Night" (1934), "You Can't Take It with You" (1938), and "Mr. Smith Goes to Washington" (1939).

    Capra served in the US Army during World War I and became naturalized shortly thereafter. He reenlisted after Pearl Harbor and was offered a commission as a Major at the age of 44. Chief of Staff George Marshall bypassed the US Army Signal Corps and assigned Major Capra the job of producing seven propaganda films (the Why We Fight series) that would be seen less as propaganda pieces and more as the inspiring films that Capra had made.

    After World War II, Capra's career declined as his later films, such as "It's a Wonderful Life" (1946), performed poorly when they were first released. Outside of directing, Capra was active in the film industry, engaging in various political and social issues. He served as President of the Academy of Motion Picture Arts and Sciences, worked alongside the Writers Guild of America, and was head of the Directors Guild of America.

    Physical Details

    Language
    English
    Genre/Form
    Propaganda.
    B&W / Color
    Black & White
    Image Quality
    Poor
    Time Code
    01:00:01:00 to 01:14:47:00
    Film Format
    • Master
    • Master 2287 Film: positive - 16 mm - b&w - composite print
      Master 2287 Video: Digital Betacam - NTSC - small
      Master 2287 Film: positive - 16 mm - b&w - composite print
      Master 2287 Video: Digital Betacam - NTSC - small
      Master 2287 Film: positive - 16 mm - b&w - composite print
      Master 2287 Video: Digital Betacam - NTSC - small
      Master 2287 Film: positive - 16 mm - b&w - composite print
      Master 2287 Video: Digital Betacam - NTSC - small
    • Preservation
    • Preservation 2287 Film: full-coat mag track - 16 mm - sound
      Preservation 2287 Film: negative - 16 mm - polyester - b&w - silent - duplicate negative - B-wind - Kodak - 3234
      Preservation 2287 Video: Betacam SP - NTSC - small
      Preservation 2287 Film: full-coat mag track - 16 mm - sound
      Preservation 2287 Film: negative - 16 mm - polyester - b&w - silent - duplicate negative - B-wind - Kodak - 3234
      Preservation 2287 Video: Betacam SP - NTSC - small
      Preservation 2287 Film: full-coat mag track - 16 mm - sound
      Preservation 2287 Film: negative - 16 mm - polyester - b&w - silent - duplicate negative - B-wind - Kodak - 3234
      Preservation 2287 Video: Betacam SP - NTSC - small
      Preservation 2287 Film: full-coat mag track - 16 mm - sound
      Preservation 2287 Film: negative - 16 mm - polyester - b&w - silent - duplicate negative - B-wind - Kodak - 3234
      Preservation 2287 Video: Betacam SP - NTSC - small
    • User
    • User 2287 Film: positive - 16 mm - b&w - optical track - print
      User 2287 Film: positive - 16 mm - b&w - optical track - print
      User 2287 Film: positive - 16 mm - b&w - optical track - print
      User 2287 Film: positive - 16 mm - b&w - optical track - print

    Rights & Restrictions

    Conditions on Access
    You do not require further permission from the Museum to access this archival media.
    Copyright
    Public Domain
    Conditions on Use
    To the best of the Museum's knowledge, this material is in the public domain. You do not require further permission from the Museum to reproduce or use this material.

    Keywords & Subjects

    Administrative Notes

    Film Provenance
    The United States Holocaust Memorial Museum purchased this film from the National Archives and Records Administration collection via the National Audiovisual Center in 1993.
    Note
    End credit on film reads: "Seized Enemy Material. Used by permission of the Alien Property Custodian in the public interest under License No. LM-185."

    Acquisition Information: National Audiovisual Center [from the National Archives Collection]; Loan; 10/04/1993. Museum obtained a used 16mm print from the NAVC when it closed (?) or no longer wanted this print, among others. Acquisition dealt with by Peter Martz.
    Copied From
    16mm print, out of distr
    Film Source
    United States. National Archives and Records Administration. Motion Picture Reference
    File Number
    Legacy Database File: 159
    Source Archive Number: 111 OF 8
    Record last modified:
    2024-02-21 07:49:38
    This page:
    https:​/​/collections.ushmm.org​/search​/catalog​/irn1001206

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