Painting of a building given to an UNRRA official
- Date
-
creation:
1947
- Geography
-
depiction:
Aglasterhausen (Displaced persons camp);
Schwarzach (Baden-Württemberg, Germany)
- Classification
-
Art
- Category
-
Paintings
- Object Type
-
Painting (lcsh)
- Genre/Form
-
Landscape paintings.
- Credit Line
- United States Holocaust Memorial Museum Collection, Gift of John Blair Rottersman
Painting of entrance gates to the United Nations Relief and Rehabilitation Administration (UNRRA) Aglasterhausen Children’s Center, in Unterschwarzach (now Schwarzach), Germany, owned by the director, Rachel Greene Rottersman. The children’s center opened in October 1945, and employed UNRRA personnel, skilled staff from the displaced persons (DP) population, and local German maintenance workers. The children lived in a structured environment, received classroom instruction, participated in music and arts, enjoyed planned recreation time, and were responsible for regular chores. The UNRRA ceased its DP operations in June 1947. However, the children’s center remained open with the assistance of the Preparatory Commission of the International Refugee Organisation (PCIRO). During Rachel Green Rottersman’s tenure, between September 1945 and February 1948, 1,000 children had been cared for at Aglasterhausen. Of those, approximately one-third were repatriated to their native countries in Europe, 100 were reunited with their parents in Germany, and 350 were sent to the United States and Canada for adoption or foster care.
-
Record last modified: 2023-08-25 09:52:45
This page: https://collections.ushmm.org/search/catalog/irn183411
Also in Rachel Greene Rottersman collection
The collection consists of paintings, audio recordings, correspondence, documents, reports, and writings related to the experiences of Rachel Greene Rottersman during her career with UNRRA and her work at the children’s home at Aglasterhausen, Germany, assisting displaced children after World War II.
Date: 1939-2015
Rachel Greene Rottersman papers
Document
The Rachel Greene Rottersman papers consist of biographical materials about Rottersman’s UNRRA career; correspondence and reports about the children’s home at Aglasterhausen; notes and drafts for the memoirs Rottersman never completed; photographs of children and employees at Aglasterhausen; and printed materials about UNRRA’s work with displaced children. Biographical materials include student records, UNRRA and IRO (International Relief Organization) personnel records, and resumes for Rachel Rottersman and immigration application paperwork for Joseph Rottersman. This series also includes biographies of Rachel Rottersman prepared by Tommy Thompson and John Blair Rottersman. Correspondence consists of postwar letters documenting Rottersman’s work with UNRRA, displaced children, and the Aglasterhausen home as well as follow up correspondence from later decades with former Aglasterhausen staff and children. Postwar correspondence includes a copy of Rottersman’s “diary,” which was actually periodic correspondence without specific addressee that describes Rottersman’s life in Germany, work with UNRRA, and the Aglasterhausen children’s home in great detail. It appears as though these “diary” letters were intended to be circulated among Rottersman’s family and friends. Postwar correspondence also includes Rottersman’s letters to her father, which often duplicate the “diary” letters but intersperse personal correspondence, replies to his letters, and gratitude for the packages he sent her. Her father’s letters are included in the correspondence series, contain his advice, and document their differences of opinion. Postwar correspondence with other family members, friends, coworkers, and displaced children document the children’s pasts, hopes for the future, and immigration journeys and relay Rottersman’s family and Aglasterhausen news and requests for supplies. Postwar correspondence also includes a handful of letters documenting the UNRRA and Aglasterhausen business of taking care of children’s health, planning for their futures, and managing staffing and supplies. Follow up correspondence from later decades documents Rottersman’s efforts to maintain contact with former Aglasterhausen children and staff and describes family news, memories about the Aglasterhausen years, and Rottersman’s project to write a book about her experiences. This series also includes a few hand illustrated cards. The memoirs series primarily consists of drafts of chapters or scenes Rachel Rottersman apparently intended to include in her memoirs, a project she never completed. Some of the chapters have identifiable titles, while others correspond more closely to entries from her “diary” correspondence. This series also includes correspondence and commentary from reviewers of preliminary chapters as well as notes for additional scenes. Photographs primarily depict children, staff, buildings, and countryside around the Aglasterhausen center. Most of the photographs of Rachel and Joseph Rottersman have been separated into distinct folders. This series also includes a handful of photographs form the Baumholder Assembly Center for Displaced Persons and a photograph from the Kirchberg Assembly Center. Printed materials include clippings about Rachel Rottersman, displaced persons, unaccompanied children, Lebensborn children, the Lidice massacre, 1946 and 1947 journeys of the Marine Flasher and Marine Marlin that carried Aglasterhausen children to the United States, and the movie “The Search”; full or partial issues of newspapers such as UNRRA DP News, UNRRA Team News, and Nasza Gazeta; copies of military and displaced person newsletters including The Port Hole and Homeward Bound; and published reports about Aglasterhausen and displaced and unaccompanied children. This series also includes picture postcards from England, France, and Germany. The reports series includes individualized reports about Aglasterhausen children, name lists of Aglasterhausen children and staff, Aglasterhausen policies and procedures, narratives and UNRRA reports about the experiences of displaced and unaccompanied children, court records related to United States of America vs. Ulrich Greifelt, et al (Lebensborn case), and additional reports related to Lebensborn children.
Watercolor painting of a courtyard given to an UNRRA official
Object
Watercolor painting of a courtyard in the city of Markgröningen, Germany, painted by artist Richard Kiwit (or Kivit) and gifted to Rachel Greene Rottersman, director of the United Nations Relief and Rehabilitation Administration (UNRRA) Aglasterhausen Children’s Center, in Unterschwarzach, Germany. Markgröningen is a city located 20 kilometers northwest of Stuttgart, and about 60 kilometers south from Aglasterhausen. Richard Kiwit was a well-known Estonian illustrator who moved to Germany in 1944. His daughter, Dagmar Elisabeth Kiwit (later Moder), was a pediatrician, and following the war worked as a Medical Officer at Aglasterhausen Children’s Center. The children’s center opened in October 1945, and employed UNRRA personnel, skilled staff from the displaced persons (DP) population, and local German maintenance workers. The children lived in a structured environment, received classroom instruction, participated in music and arts, enjoyed planned recreation time, and were responsible for regular chores. The UNRRA ceased its DP operations in June 1947. However, the children’s center remained open with the assistance of the Preparatory Commission of the International Refugee Organisation (PCIRO). During Rachel Green Rottersman’s tenure, between September 1945 and February 1948, 1,000 children had been cared for at Aglasterhausen. Of those, approximately one-third were repatriated to their native countries in Europe, 100 were reunited with their parents in Germany, and 350 were sent to the United States and Canada for adoption or foster care.
Watercolor painting of farm fields given to an UNRRA official
Object
Watercolor painting of farm fields in the German countryside, painted by artist Richard Kiwit (or Kivit) and gifted to Rachel Greene Rottersman, director of the United Nations Relief and Rehabilitation Administration (UNRRA) Aglasterhausen Children’s Center, in Unterschwarzach, Germany. Richard Kiwit was a well-known Estonian illustrator who moved to Germany in 1944. His daughter, Dagmar Elisabeth Kiwit (later Moder), was a pediatrician, and following the war worked as a Medical Officer at Aglasterhausen Children’s Center. The children’s center opened in October 1945, and employed UNRRA personnel, skilled staff from the displaced persons (DP) population, and local German maintenance workers. The children lived in a structured environment, received classroom instruction, participated in music and arts, enjoyed planned recreation time, and were responsible for regular chores. The UNRRA ceased its DP operations in June 1947. However, the children’s center remained open with the assistance of the Preparatory Commission of the International Refugee Organisation (PCIRO). During Rachel Green Rottersman’s tenure, between September 1945 and February 1948, 1,000 children had been cared for at Aglasterhausen. Of those, approximately one-third were repatriated to their native countries in Europe, 100 were reunited with their parents in Germany, and 350 were sent to the United States and Canada for adoption or foster care.
Watercolor painting of a street scene given to an UNRRA official
Object
Watercolor painting of a bridge and road to the village of Unterschwarzach, painted by artist Richard Kiwit (or Kivit) and gifted to Rachel Greene Rottersman, director of the United Nations Relief and Rehabilitation Administration (UNRRA) Aglasterhausen Children’s Center, in Unterschwarzach, Germany. Richard Kiwit was a well-known Estonian illustrator who moved to Germany in 1944. His daughter, Dagmar Elisabeth Kiwit (later Moder), was a pediatrician, and following the war worked as a Medical Officer at Aglasterhausen Children’s Center. The children’s center opened in October 1945, and employed UNRRA personnel, skilled staff from the displaced persons (DP) population, and local German maintenance workers. The children lived in a structured environment, received classroom instruction, participated in music and arts, enjoyed planned recreation time, and were responsible for regular chores. The UNRRA ceased its DP operations in June 1947. However, the children’s center remained open with the assistance of the Preparatory Commission of the International Refugee Organisation (PCIRO). During Rachel Green Rottersman’s tenure, between September 1945 and February 1948, 1,000 children had been cared for at Aglasterhausen. Of those, approximately one-third were repatriated to their native countries in Europe, 100 were reunited with their parents in Germany, and 350 were sent to the United States and Canada for adoption or foster care.
Painting of a large estate given to an UNRRA official
Object
Watercolor painting of the United Nations Relief and Rehabilitation Administration (UNRRA) Aglasterhausen Children’s Center, in Unterschwarzach (now Schwarzach), Germany, painted by artist Richard Kiwit (or Kivit) and gifted to Rachel Greene Rottersman, director of Aglasterhausen. Richard Kiwit was a well-known Estonian illustrator who moved to Germany in 1944. His daughter, Dagmar Elisabeth Kiwit (later Moder), was a pediatrician, and following the war worked as a Medical Officer at Aglasterhausen Children’s Center. The children’s center opened in October 1945, and employed UNRRA personnel, skilled staff from the displaced persons (DP) population, and local German maintenance workers. The children lived in a structured environment, received classroom instruction, participated in music and arts, enjoyed planned recreation time, and were responsible for regular chores. The UNRRA ceased its DP operations in June 1947. However, the children’s center remained open with the assistance of the Preparatory Commission of the International Refugee Organisation (PCIRO). During Rachel Green Rottersman’s tenure, between September 1945 and February 1948, 1,000 children had been cared for at Aglasterhausen. Of those, approximately one-third were repatriated to their native countries in Europe, 100 were reunited with their parents in Germany, and 350 were sent to the United States and Canada for adoption or foster care
Watercolor painting of a children’s home given to an UNRRA official
Object
Watercolor painting of the view from balcony of Dagmar Kiwit’s room, painted by her father, artist Richard Kiwit (or Kivit) and gifted to Rachel Greene Rottersman, director of the United Nations Relief and Rehabilitation Administration (UNRRA) Aglasterhausen Children’s Center, in Unterschwarzach, Germany. Richard Kiwit was a well-known Estonian illustrator who moved to Germany in 1944. Dagmar Elisabeth Kiwit (later Moder), was a pediatrician, and following the war, worked as a Medical Officer at Aglasterhausen Children’s Center. The children’s center opened in October 1945, and employed UNRRA personnel, skilled staff from the displaced persons (DP) population, and local German maintenance workers. The children lived in a structured environment, received classroom instruction, participated in music and arts, enjoyed planned recreation time, and were responsible for regular chores. The UNRRA ceased its DP operations in June 1947. However, the children’s center remained open with the assistance of the Preparatory Commission of the International Refugee Organisation (PCIRO). During Rachel Green Rottersman’s tenure, between September 1945 and February 1948, 1,000 children had been cared for at Aglasterhausen. Of those, approximately one-third were repatriated to their native countries in Europe, 100 were reunited with their parents in Germany, and 350 were sent to the United States and Canada for adoption or foster care
Watercolor painting of a children’s home given to an UNRRA official
Object
Watercolor painting by Richard Kiwit (or Kivit) and gifted to Rachel Greene Rottersman, director of the United Nations Relief and Rehabilitation Administration (UNRRA) Aglasterhausen Children’s Center, in Unterschwarzach, Germany. The painting depicts the third floor balconies of the living quarters for Rachel and Joseph Rottersman and Dr. Dagmar Kiwit. These buildings also housed the infant nursery, a gym, and a chapel. Richard Kiwit was a well-known Estonian illustrator who moved to Germany in 1944. His daughter, Dagmar Elisabeth Kiwit (later Moder), was a pediatrician, and following the war worked as a Medical Officer at Aglasterhausen Children’s Center. The children’s center opened in October 1945, and employed UNRRA personnel, skilled staff from the displaced persons (DP) population, and local German maintenance workers. The children lived in a structured environment, received classroom instruction, participated in music and arts, enjoyed planned recreation time, and were responsible for regular chores. The UNRRA ceased its DP operations in June 1947. However, the children’s center remained open with the assistance of the Preparatory Commission of the International Refugee Organisation (PCIRO). During Rachel Green Rottersman’s tenure, between September 1945 and February 1948, 1,000 children had been cared for at Aglasterhausen. Of those, approximately one-third were repatriated to their native countries in Europe, 100 were reunited with their parents in Germany, and 350 were sent to the United States and Canada for adoption or foster care.
Painting of an estate given to an UNRRA official
Object
Painting of the United Nations Relief and Rehabilitation Administration (UNRRA) Aglasterhausen Children’s Center, in Unterschwarzach (now Schwarzach), Germany, owned by the director, Rachel Greene Rottersman. The children’s center opened in October 1945, and employed UNRRA personnel, skilled staff from the displaced persons (DP) population, and local German maintenance workers. The children lived in a structured environment, received classroom instruction, participated in music and arts, enjoyed planned recreation time, and were responsible for regular chores. The UNRRA ceased its DP operations in June 1947. However, the children’s center remained open with the assistance of the Preparatory Commission of the International Refugee Organisation (PCIRO). During Rachel Green Rottersman’s tenure, between September 1945 and February 1948, 1,000 children had been cared for at Aglasterhausen. Of those, approximately one-third were repatriated to their native countries in Europe, 100 were reunited with their parents in Germany, and 350 were sent to the United States and Canada for adoption or foster care.
Painting of a building complex given to an UNRRA official
Object
Painting of the United Nations Relief and Rehabilitation Administration (UNRRA) Aglasterhausen Children’s Center, in Unterschwarzach (now Schwarzach), Germany, painted by Henryk Michniak and given to Rachel Greene Rottersman, director of the Children’s Center. Henryk (or Henry) Michniak arrived at Aglasterhausen in November 1945, at age 16. While at Aglasterhausen, Henryk became known for his artwork, including cartoon characters painted on the walls of the nursery. The children’s center opened in October 1945, and employed UNRRA personnel, skilled staff from the displaced persons (DP) population, and local German maintenance workers. The children lived in a structured environment, received classroom instruction, participated in music and arts, enjoyed planned recreation time, and were responsible for regular chores. The UNRRA ceased its DP operations in June 1947. However, the children’s center remained open with the assistance of the Preparatory Commission of the International Refugee Organisation (PCIRO). During Rachel Green Rottersman’s tenure, between September 1945 and February 1948, 1,000 children had been cared for at Aglasterhausen. Of those, approximately one-third were repatriated to their native countries in Europe, 100 were reunited with their parents in Germany, and 350 were sent to the United States and Canada for adoption or foster care. Henryk left Aglasterhausen for Fellbach Emigration Center on May 22, 1946, and immigrated to the United States on June 8. Henryk became a naturalized citizen in 1951, served in the Korea and Vietnam Wars, and was awarded the Purple Heart. Henryk retired from the Army at the rank of Sergeant Major in November 1974, and was buried in Arlington National Cemetery after his death.
Painting of an outdoor domestic scene given to an UNRRA official
Object
Painting of a scene at the United Nations Relief and Rehabilitation Administration (UNRRA) Aglasterhausen Children’s Center, in Unterschwarzach (now Schwarzach), Germany, owned by the director, Rachel Greene Rottersman. The children’s center opened in October 1945, and employed UNRRA personnel, skilled staff from the displaced persons (DP) population, and local German maintenance workers. The children lived in a structured environment, received classroom instruction, participated in music and arts, enjoyed planned recreation time, and were responsible for regular chores. The UNRRA ceased its DP operations in June 1947. However, the children’s center remained open with the assistance of the Preparatory Commission of the International Refugee Organisation (PCIRO). During Rachel Green Rottersman’s tenure, between September 1945 and February 1948, 1,000 children had been cared for at Aglasterhausen. Of those, approximately one-third were repatriated to their native countries in Europe, 100 were reunited with their parents in Germany, and 350 were sent to the United States and Canada for adoption or foster care.