Color poster with a portrait of Hitler and the Nazi slogan: Ein Volk, ein Reich, ein Fuhrer!
- Artwork Title
- Ein Volk, ein Reich, ein Fuhrer!
- Alternate Title
- One People, one Country, one Leader!
- Date
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publication/distribution:
approximately 1940
- Geography
-
manufacture:
Reichenbach (Saxony, Germany)
- Language
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German
- Classification
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Posters
- Category
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Nazi propaganda
- Object Type
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Posters, German (lcsh)
- Credit Line
- United States Holocaust Memorial Museum Collection
Color poster of an iconic painting of the Fuhrer, Adolf Hitler, printed in Germany during the Third Reich, 1933-1945. The original painting was created by Heinrich Knirr in 1935-1936, and was based on a photograph taken by Heinrich Hoffman in 1935. Hitler approved the image and it was widely used on Nazi propaganda pieces and was very popular. The slogan Ein Volk, ein Reich, ein Fuhrer was one of the central slogans used by Hitler and the Nazi Party. Nazi propaganda portrayed their leader (Fuhrer) as the living embodiment of the German nation and people. This slogan reinforced the cult of Hitler and the sense of destiny that the Party claimed made him the savior of Germany and father of the German people.
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Record last modified: 2022-09-09 14:17:10
This page: https://collections.ushmm.org/search/catalog/irn516176
Also in Third Reich propaganda collection
The collection consists of a banner, a pair of gaiters, a poster, documents, publications, and prints relating to life in Germany under the Third Reich, from 1933-1945.
Date: approximately 1934-1965
Pair of black leather gaiters
Object
Pair of black leather half chaps which were worn with short boots to protect the lower legs, inscribed with a name and a German city. They are similar to gaiters made in 1920, but they are undated.
Long, white banner with the Nazi Party slogan Ein Volk - Ein Reich - Ein Fuhrer
Object
Large banner with the slogan Ein Volk - Ein Reich - Ein Fuhrer [One People - One Country - One Leader], a central slogan of Hitler and the Nazi Party. The hand made banner is very long and narrow, with three foot posts at each end, perhaps to carry it during marches and parades. Nazi propaganda portrayed Hitler, their leader (Führer), as the living embodiment of the German nation and people. This slogan reinforced the cult of Hitler and the sense of destiny that the Party claimed made him the savior of Germany and father of the German people.
Book
Object
Book
Object
Book
Object
Black and white print of five rows of multi-unit barracks on grass
Object
Black and white print depicting concentration camp barracks created by an unknown artist with the initials FK in late 1944. Many prisoners and liberating soldiers took it upon themselves to record their experiences, preserve their memories and show the world what happened. Creations range from the deeply personal responses of survivors to the more documentary approach of official war artist pieces. Some made drawings of the prisoners and life in the camps, while others created art during and after liberation. Children as well as adults documented events of the Holocaust through art. In some circumstances, imprisoned artists were able to create sketches and paintings for guards, earning extra food or other benefits as a reward, which helped some to survive life in the camps. A number of the survivors turned to art as an outlet for their trauma.
Black and white print of a path separating two rows of barracks
Object
Black and white print depicting concentration camp barracks created by an unknown artist with the initials FK in early 1945. Many prisoners, and liberating soldiers took it upon themselves to record their experiences, preserve their memories and show the world what happened. Creations range from the deeply personal responses of survivors to the more documentary approach of official war artist pieces. Some made drawings of the prisoners and life in the camps, while others created art during and after liberation. Children as well as adults documented events of the Holocaust through art. In some circumstances, imprisoned artists were able to create sketches and paintings for guards, earning extra food or other benefits as a reward, which helped some to survive life in the camps. A number of the survivors turned to art as an outlet for their trauma.
