Advanced Search

Learn About The Holocaust

Special Collections

My Saved Research

Login

Register

Help

Skip to main content

Portrait of a partisan with a mustache, drawn by Alexander Bogen

Object | Accession Number: 2005.181.50

Search this record's additional resources, such as finding aids, documents, or transcripts.

No results match this search term.
Check spelling and try again.

results are loading

0 results found for “keyward

    Portrait of a partisan with a mustache, drawn by Alexander Bogen
    Loading

    Please select from the following options:

    Overview

    Brief Narrative
    Sketch created by Alexander Bogen while he was a partisan fighter in the Naroch Forest in Belarussia during World War II. Bogen was an art student in Vilna in 1941 when Germany invaded and occupied Lithuania and neighboring countries. In the Vilna ghetto, he sketched scenes of the life of his fellow Jews interned there by the Germans. “An artist doomed to death,” he said in later years, “recording and so preserving those doomed to death.” In 1943, he escaped the ghetto and joined the partisans, who carried out sabotage and other actions against the occupying German military. He helped lead the all-Jewish Nekama (Revenge) partisan brigade, and reentered the Vilna ghetto to help underground fighters escape as it was being liquidated by the Germans. When Lithuania was liberated in 1944 by Soviet forces, he returned to Vilna and resumed his studies.
    Artwork Title
    Russian partisan
    Date
    creation:  1943-1944
    Geography
    depiction: Naroch Forest; Belarus
    Credit Line
    United States Holocaust Memorial Museum Collection, The Abraham and Ruth Goldfarb Family Acquisition Fund
    Contributor
    Artist: Alexander Bogen
    Subject: Alexander Bogen
    Biography
    Alexander Katzenbogen was born January 24, 1916, in Tartu, Estonia. His parents were both doctors. His father was from a secular Jewish background; his mother was the daughter of Rabbi Tuvia Lobitzki of Volkovysk, Poland (now in Belarus). When Alexander was two years old, the family moved to Vilna, Lithuania. The atmosphere in the home as he was growing up was liberal. His parents were socialists; he was a member of the Socialist-Zionist youth group Hashomer Hatzair. He married Rachel Shachor (b. 1914).

    In 1941, Alexander was studying art at the University of Vilna. At that time, Vilna was under Soviet rule. On June 22, Germany invaded the Soviet Union and German planes bombed Vilna. Alexander and Rachel joined a large exodus from the city on foot toward the east. They got as far as Minsk, a distance of over a hundred miles, before German military activity forced them to turn back and return to Vilna. The journey east and then back to the west took months. Along the way, Alexander began sketching what he saw of the suffering of his fellow Jews under the new German occupation.

    Alexander and Rachel were among the Jews confined to the Vilna ghetto, where Alexander joined the FPO, the Fareynikte Partizaner Organizatsye (United Partisan Organization), an underground organization inside the ghetto with paramilitary aspirations. He had the code name Shura. In addition to activities in the FPO, he sketched images of life in the ghetto. There was a debate within the FPO about whether to make a last stand against the Germans inside the ghetto, or to join partisans on the outside in the ongoing fight against the German occupation of the region. On July 29, 1943, a small band of FPO members, Alexander among them, escaped the ghetto and joined the Voroshilov brigade of partisans in the Naroch Forest, 60 miles to the east.

    The majority of the partisans there were non-Jewish Russians. An all-Jewish unit was formed, called Nekhamah (Revenge). Alexander and other members of the unit distinguished themselves in paramilitary actions. Even under those conditions, Alexander sketched, using scraps of packing paper and charcoal made by burning dry branches. He sketched his fellow partisans, sometimes doing so as he and they were going into battle. In later years, he recalled, “Each man when he is standing face to face with cruel danger, with death, reacts in his way. The artist reacts with his means. This is his protest! This is my means! He reacts in an artistic way. This is his weapon.” The partisans produced a small newspaper on a mobile press. Alexander prepared woodcuts for the publication using his pen-knife.

    At the beginning of September, 1943, a plan was formed for Alexander and a band of Jewish partisans to return to Vilna to infiltrate the ghetto and help potential fighters escape. The journey from the Naroch forest back to Vilna took a week. Along the way, Alexander’s group took food from peasants, sometimes at gunpoint. Once inside the ghetto, he reestablished contact with the FPO. German troops were in the final phase of liquidating the ghetto. Again, Alexander sketched what he observed. “We saw forsaken children. We saw people being taken to slaughter. I could not let my pencil fall. To tell about this to a world that was uninformed--to be creative in the situation of the Holocaust, this is also a protest.” On September 11, he helped lead 150 FPO members in an escape from the ghetto and on the journey to the Naroch Forest. His wife, Rachel, and her mother were also among the escapees.

    Anti-Semitism by the Russian partisans made the position of the Jews among them difficult. Alexander was removed from military action and spent his time recording the history of the partisans by sketching their way of life. After the war, Alexander and Rachel returned to Vilna. Alexander returned to his studies and graduated in 1947, then he and his wife emigrated to Poland, where he became an award-winning artist. They had a son, Michael. In 1951, they made aliyah to Israel. During his career as an artist there, Alexander frequently used the subjects he had sketched during the war. Rachel died in 1998 at age 83 (or 84?), Alexander on October 20, 2010 at age 94.

    Physical Details

    Classification
    Art
    Category
    Drawings
    Physical Description
    Portrait drawn in charcoal of a man with mustache, wearing a hat, with a rifle behind his shoulder. The artist’s name and a date are on the bottom right.
    Dimensions
    overall: Height: 14.620 inches (37.135 cm) | Width: 10.750 inches (27.305 cm)
    Materials
    overall : paper, charcoal

    Rights & Restrictions

    Conditions on Access
    No restrictions on access
    Conditions on Use
    Restrictions on use

    Keywords & Subjects

    Personal Name
    Bogen, Alexander.

    Administrative Notes

    Provenance
    The artwork was acquired by the United States Holocaust Memorial Museum in 2005.
    Funding Note
    The acquisition of this collection was made possible by The Abraham and Ruth Goldfarb Family Acquisition Fund.
    Record last modified:
    2023-02-27 14:01:32
    This page:
    https:​/​/collections.ushmm.org​/search​/catalog​/irn517310

    Download & Licensing

    In-Person Research

    Contact Us