1000 Scrip Mark

Object | Accession Number: 2016.443.27

Overview

Geography: manufacture: Switzerland
Credit Line: United States Holocaust Memorial Museum Collection, Gift of Henry Wachs

Physical Details

Classification: Exchange Media
Category: Money
Object Type: Scrip (aat)
Physical Description: Rectangular paper body with light orange and brown patterned background. Printed on recto in brown at center top is "Reichsbanknote / "FinTausend Mark" and center is "1000" and both sides is serial number "Nr1317165B." Printed on verso is emblem/shield held on both sides by 2 female figures. "1000" on both ends with same serial number across bottom.
Dimensions: overall: Height: 4.331 inches (11.001 cm) | Width: 7.480 inches (18.999 cm)
Materials: overall : paper, ink

Rights & Restrictions

Conditions on Access: No restrictions on access
Conditions on Use: No restrictions on use

Administrative Notes

Legal Status: Permanent Collection
Provenance: The scrip was donated to the United States Holocaust Memorial Museum in 2016 by Frederic Wachs and Henry Wachs.

Record last modified:: 2022-07-28 18:16:46
This page:: https://collections.ushmm.org/search/catalog/irn564875

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Also in Wachs family collection

The collection consists of a typewriter, correspondence, documents, and photographs relating to the experiences of Henry Wachs and his family before the Holocaust in Mrotschen (today Mrocza, Poland) and 1916 in Berlin, Germany. and during the Holocaust in Belgium, Great Britain, Australia, Palestine, and the United States.

Date: approximately 1916-approximately 1942

Henry (Heinz) Wachs family papers

Document

The Henry (Heinz) Wachs family papers consist of correspondence, documents, and photographs related to his family’s life in Prussia and Germany (Berlin) in the late 19th and early 20th centuries, his education and training as a typesetter and graphic designer during the 1930s, his immigration to the United States as a response to Nazi persecution in 1938, and his subsequent efforts to help his brother, parents, and other relatives emigrate. Also documented are the experiences of his brother, Alfred, in emigration and as a detainee in internment camps in England and Australia, 1940-1942; as well as his parents in emigration in Belgium, and his father’s internment by the Nazis in France, 1940-1942. The Biographical series contains documents not only pertaining to Henry Wachs and his immediate family (parents, and brother Alfred), but also to other members of his extended family, including his grandfather, Nathan Wachs, dating to the mid-19th century. Included are birth certificates, identification documents, educational records, military service records, vaccination records, and membership cards from Jewish sports organizations, as well as other general documents and ephemera. Items of note include an album assembled for the wedding of Henry's parents, Isidor and Herta, in 1913, containing congratulatory telegrams, poems, and a mock-newspaper announcing the wedding. Military records from Nathan Wachs show his service in the Prussian Army prior to German unification, and his son, Isidor’s, service in the German Army during World War I. In addition, residency and citizenship papers for Isidor Wachs document his choice of German citizenship after World War I, when changing boundaries placed his homeland in Polish territory. The Correspondence series contains letters from many of Henry’s friends in Berlin, as well as extensive correspondence to and from his brother, Alfred, and his parents, primarily following Henry’s departure from Germany. Correspondence from his friends includes letters from those who left for other countries, such as Britain and South Africa, and includes correspondence from his friend Heinz Bing (“Bebi”) after the latter was interned by the British and sent to a camp in Canada in 1940. One further correspondence file, of letters sent to Florence Oser of Chico, California in the mid-1950s, documents her efforts to help individual residents of Berlin with humanitarian assistance (CARE packages) after World War II, and contains letters of gratitude from them. Oser was an aunt of Gloria Wachs, and through this connection these letters were joined with this collection. Correspondence within the Wachs family includes some pre-war postcards and letters sent from family members in Rogasen, as well as letters received by Henry from aunts, uncles, and cousins (from the Salomon and Flatow families) after he had settled in the United States, and was trying to help them obtain visas to immigrate. The most extensive correspondence, though, consists of letters to and from his brother and parents. Correspondence from Alfred Wachs began after he left Germany to learn agricultural skills on a farm in Yugoslavia, in preparation for his planned immigration to Palestine, as well as later training in Italy, and a period spent in Switzerland and England. In mid-1940, Alfred was arrested in Britain as an enemy-alien, and was placed in a camp before being deported to Australia on the Dunera, where he spent the better part of two years in a prison camp that housed emigres from Germany and Austria. During this period, Henry corresponded extensively with his brother—often saving carbon copies of his outgoing letters along with letters he received from his brother—and documenting his efforts both to obtain his brother’s release, and to send him financial and other assistance during his internment. Following his release, Alfred immigrated to Palestine, and subsequent correspondence from Israel during the 1950s relates to his life there. Henry’s correspondence to his parents began when he made a trip to Italy in 1935, and then continues with letters he received from them after his departure from Germany in 1938. His correspondence with his parents continued after they moved to Belgium in early 1939, and included letters to and from both parents, as well as correspondence between Henry and his father after the latter was arrested and interned by the Germans in 1940, in a succession of camps in France. Also included from this period are letters to and from his mother, as she sought to cope with the arrest of her husband, and as Henry sought to provide financial assistance for both of them from the United States, as documented by the numerous receipts included in these files. The Immigration series relates primarily to Henry’s journey from Germany to the United States in 1938, and in particular contains correspondence to and from his American sponsors, A.C. Karski of San Francisco (a nephew of Henry’s maternal grandmother) and Lionel Wachs of Oakland. This correspondence documents the initial contacts with Karski and Lionel Wachs, his eventual sponsorship, and efforts to secure a job for Henry prior to his arrival. Also included are naturalization papers, the affidavit provided by Lionel Wachs, Henry’s German passport, and other related materials. The Photograph series contains pre-war photographs of the Wachs and Salomon families in Germany, including photographs of the family from the early 20th century. Also included are photographs of Isidor and Hertha at their wedding and as a young couple, Henry as a young man, as well as more recent photographs from his 99th birthday in 2015. The Professional series documents Henry’s training as an apprentice typesetter in Berlin from 1933-1937, with the firm of Martin Philipsen, coursework he completed as part of that training, his certification as a journeyman in 1937, and his efforts to find further employment and training in graphic design following that. Also documented is his connection with the Jewish-owned company, Schocken, AG in Zwickau, which owned a major department store where his brother, Alfred, had previously worked, and for whom he submitted graphic designs for advertisements. In addition, he sought the help of company chairman Theodor Schocken, who was acquainted with Henry’s family from their period in Rogasen, in his efforts to emigrate, in the hope of making connections with Schocken affiliates in the United States. Samples of his typesetting work for Martin Philipsen and Schocken are also included, as are typesetting manuals that he used at this point in his career.