Musical performance in the Kovno ghetto.
Overview
- Caption
- Musical performance in the Kovno ghetto.
Pictured is Luba Kupritz, accompanied by a piano and trumpet. She later sang as a vocalist in the St. Ottilien Jewish Orchestra after the war. - Photographer
- George Kadish/Zvi Kadushin
- Date
-
August 1942 - March 1944
- Locale
- Kaunas, Lithuania
- Variant Locale
- Kauen
Kovno
Kowno - Photo Credit
- United States Holocaust Memorial Museum, courtesy of George Kadish/Zvi Kadushin
- Event History
- Following the German occupation of Kaunas, many of the city's leading musicians, were forced to move to the Jewish ghetto. Most brought their musical instruments with them. However, on August 18, 1941, soon after the sealing of the ghetto, the Germans held a special "Intellectuals Action" which resulted in the murder of 534 of the most educated men in the ghetto. Afterwards, most musicians were afraid to publicly declare themselves as professionals. The Jewish council decided the best way to protect these musicians was to make them policemen and issue them uniforms. During the summer of 1942, when the killing actions had stopped and the ghetto was in the midst of its "Quiet Period," the council felt it was safe to ask permission for the ghetto's musicians to regroup into an orchestra. The orchestra consisted of 35 instrumentalists and five vocalists led by the noted conductor Michael Leo Hofmekler and the concertmaster Alexander Stupel. Performances were held bi-weekly, and a total of 80 concerts were given during the ghetto's history. Performances were given in the ghetto's Police House, the former building of the Slobodka Yeshiva. They were coordinated by the ghetto's director of education and culture, the noted linguist Chaim Nachman Shapiro (who was also the son of Kovno's chief rabbi). Though the first concert, which began with a moment of silence followed by "Kol Nidre" (the opening hymn of the Yom Kippur service), featured only serious music, many in the ghetto felt it was unseemly to hold concerts in a place of mourning. They considered these concerts to be solely for the ghetto elite and a desecration of the yeshiva. However, despite these criticisms, most felt that the concerts served a useful purpose in raising the level of morale in the ghetto. Ironically, though the musicians were initially made policemen as a form of protection, during the "Police Action" of March 27, 1944, only the musicians were spared transfer to the Ninth Fort.
See https://www.ushmm.org/wlc/en/article.php?ModuleId=10005174.
See Also "Kauen Main Camp" in Encyclopedia of Camps and Ghettos Volume 1 Part A.
Rights & Restrictions
- Photo Source
-
USHMM (Restricted)
Copyright: Exclusively with provenanceProvenance: George Kadish/Zvi KadushinSource Record ID: Collections: CR 1503.022
Keywords & Subjects
- Record last modified:
- 2013-06-06 00:00:00
- This page:
- https://collections.ushmm.org/search/catalog/pa1045194
