Advanced Search

Learn About The Holocaust

Special Collections

My Saved Research

Login

Register

Help

Skip to main content

Drawing of a sleeping seminude woman sleeping on her side by a German Jewish internee

Object | Accession Number: 1988.1.42

Search this record's additional resources, such as finding aids, documents, or transcripts.

No results match this search term.
Check spelling and try again.

results are loading

0 results found for “keyward

    Drawing of a sleeping seminude woman sleeping on her side by a German Jewish internee

    Overview

    Brief Narrative
    Sketch of a sleeping, seminude woman at Gurs internment camp, drawn by Lili Andrieux, a German Jewish internee. Lili created over 100 detailed drawings of people and daily life in the internment camps where she was held from May 1940 - September 1942 in France. Alençon was a collection center for transport to Camp de Gurs in Vichy France. After surrendering to Nazi Germany in June 1940, France was divided into two zones: a German military occupation zone and Free France under the Vichy regime. Gurs, built in spring 1939 to hold refugees from Spain, became an internment center for Jewish refugees. Lili, originally from Berlin, moved to Paris in 1938. She was taken to Alençon in May 1940 and reached Gurs on June 4. From March 1941-September 1942, she was held in the Hotel Terminus in Marseilles waiting for a visa. She was then sent to Les Milles internment camp where she became ill with typhus. When she recovered, she escaped and, with the help of the resistance, lived in hiding until fall 1944, when the war ended in France. Lili was a translator for the US Army and US Graves Registration Command until immigrating to America in September 1946.
    Artwork Title
    Marianne Beerel - dozing
    Series Title
    Gurs - 1940: Trying to Cope with the Merciless Heat - Summer 1940
    Date
    creation:  1940
    Geography
    creation: Gurs (Concentration camp); Gurs (France)
    Credit Line
    United States Holocaust Memorial Museum Collection
    Contributor
    Artist: Lili Andrieux
    Subject: Lili Andrieux
    Subject: Marianne Beerel
    Biography
    Lili Andrieux (1914-1996) was born Lili Sophie Abraham in Berlin, Germany, to Hans (1880-1955) and Margarete (nee Landau, 1887-1963) Abraham. She had two brothers, Joachim (1912-1958) and Peter (1916-1988), and a sister, Gabriele (later Nanda, 1928-2014). The Abrahams were a wealthy, assimilated Jewish family, and Hans was a respected notary or lawyer .

    On January 30, 1933, Adolf Hitler was appointed Chancellor of Germany. Anti-Jewish decrees were passed that restricted every aspect of Jewish life. Despite this, that same year, Lili became the only Jewish woman admitted to the Hochschule fur Kunsterzeichnung (the State College for Art Education) in Berlin. Admittance to the school was based on portfolio work. In September 1935, the Nazis announced the Nuremberg Laws, which excluded Jews from citizenship and prohibited them from marrying or having relations with non-Jewish persons. This likely prompted Lili’s brother, Peter, to immigrate to England in 1936 and find work in leather tanning and shoe manufacturing. In the 1930s, the other members of her family also immigrated to England, where Margarete’s brother lived. Because of the laws, Lili was not permitted to take her final exams in 1937. In 1938, she went to Paris to continue her studies at the Ranson Academie and permanently adopted the French surname Andrieux.

    Britain and France declared war on Germany on September 3, 1939, two days after Germany invaded Poland. In November 1939, Lili’s brother, Peter, left England for Melbourne, Australia, and changed his name to Peter Landan. On May 7, 1940, Lili’s parents and her siblings, Joachim and Gabriele, sailed from England, to the United States. The family settled in Massachusetts, with the support of Hans Apel, a family friend from Berlin who had immigrated to the United States in 1937. Lili’s father obtained a research position at Harvard University, and Joachim worked as a gardener, farmer, and a stockman.

    German forces invaded France on May 10, 1940, and the following month, France signed an armistice agreement with Germany. Germany occupied northern and western France, while southern and eastern France was governed by a French collaborationist government headquartered in the city of Vichy, suspending the constitution of the Third Republic. Soon after, Lili was taken to the transit center in Alencon, the Department of de L’Orne in Normandy. On June 4, she was transferred to Gurs internment camp in southwestern France near the Spanish border. In March 1941, Lili was moved to the Hotel Terminus du port in Marseilles, where women and children were held while waiting for visas and immigration permits. In September, she was transferred back to Gurs until November, when she was returned to the Hotel Terminus. While imprisoned, she created over 100 detailed drawings of daily domestic life, and the different groups held in the camps. An exhibit of her works was held in Aix-en-Provence in 1942, but they did not include scenes of the internment camp, as this was forbidden by camp regulations. On September 2, 1942, Lili was sent to the Family Reunion center in Les Milles internment camp, with the other women and children who had been held in hotels in Marseilles. She contracted typhus and was hospitalized in Aix-en-Provence. When she was discharged on September 26, she escaped and lived in hiding for the duration of the war with the aid of the French resistance, which she joined .

    On August 24, 1944, the German forces in France surrendered. Lili remained in Aix-en-Provence, working as a translator and multi-lingual secretary for the American Army and the US Graves Registration Command. In September 1946, after receiving a scholarship for the Museum School of Fine Arts in Boston, Massachusetts, she immigrated to the US, leaving Marseille aboard the Athos II. She married Ricardo Ester (1916-2004), whom she had met in Camp de Gurs. Ricardo, born in Barcelona, was a refugee from Francisco Franco’s fascist Spain, and had been a pilot for the Republic during the Spanish Civil War (1936-1939). They settled in San Diego, California, where Lili had a career as a commercial artist. Her work was occasionally exhibited, and is owned by the Lochamei HaGhetaot and the Bibliotheque Nationale, as well as the United States Holocaust Memorial Museum.
    Marianne Beerel (nee Schiff, 1911-?), was born in Breslau, Germany (now Wrocław, Poland) to Arthur (1881-1940) and Gertrude (nee Kraft, 1887-1972) Schiff. She had one sister named Verale (later Peter, 1913-1977). Arthur was a partner in a profitable business, and as a result, the family lived an affluent lifestyle. They employed two maids, a cook, a chauffeur, and other part-time helpers. In addition to their home in Breslau, they also had a country home and four pianos. Gertrude was a talented musician and piano player. Marianne and her sister began learning piano as children, and received professional lessons at age 12. The family was not very religious, but often celebrated the major Jewish holidays.

    On January 30, 1933, Adolf Hitler was appointed chancellor of Germany by President Paul von Hindenburg. Under Hitler, authorities quickly began suppressing the rights and personal freedoms of Jews, and boycotting their businesses. In October 1934, Marianne married Heinz (or Heinrich) Beerel (1905-?), another native of Breslau, who Marianne had met in her teens. The couple lived as German refugees in Paris, France, where Marianne worked as a representative for a designer selling fashion belts. The marriage was not an entirely happy one, as they were impoverished, living in a furnished apartment, and Heinz accrued debt.

    In 1937, Verale went to Oxford, England to work as an au pair. Following the nation-wide Kristallnacht pogrom on November 9th, 1938, Arthur was one of almost 10,000 Jewish men arrested by and imprisoned in Buchenwald concentration camp. Most of the men arrested during this time were released within three months, provided they had plans to emigrate from Germany. After his release, the family was forced by German authorities to give up their property and possessions, so Arthur and Gertrude immigrated to England, where she had extended family. A year later, Arthur was interned there as an enemy alien. The treatment and living conditions within the camps led many people to commit suicide, which Arthur did in July 1940.

    Britain and France declared war on Germany on September 3, 1939, two days after Germany invaded Poland. Marianne’s husband volunteered for the French army. Instead, he was interned in a French camp and she was evicted from their apartment in Paris. In late 1939, her husband was allowed to enlist in a newly formed division of the army for refugees and was shipped to Morocco, where he remained for the duration of the war. German forces invaded France on May 10, 1940, and an American business associate, Charles Rendigs, tried to get Marianne a visa for the United States, but she was soon detained with 8,000 women at a sports arena in Paris. For three weeks, they were forced to stay in crowded conditions, slept on straw sacks, with little water, and poor sanitation, all under the guard of French soldiers.

    Marianne was transported to Gurs internment camp, located near the Spanish border in the Pyrenees. The camp had seven sections to house women, each surrounded by barbed wire fencing. Each Barrack housed about 60 women. On June 22, France signed an armistice with Germany. Germany occupied northern and western France, while southern and eastern France was governed by a French collaborationist government headquartered in the city of Vichy, suspending the constitution of the Third Republic. Under authority of the Vichy government, a civil administration took over Gurs and released 700 prisoners interned as “enemy nationals.” The internees married to soldiers who wished to leave Gurs were allowed to do so. Undecided about where to go, Marianne, along with a small group of friends, chose to stay temporarily. During this time, she met Berlin-born artist Lili Andrieux, who had been interned in Gurs while attending school in Paris. The two remained friends until Marianne left in August.

    Upon leaving Gurs, Marianne traveled with another friend to Nice. After significant hardship and difficulties, her American business associate helped arrange her visa to the United States and paid for her passage. She sailed from Vigo, Spain, to the US on February 20, 1941. She settled in New York City, and began working in her associate’s clothing factory. She divorced her husband, and in 1961, began undergraduate work at Columbia University Teacher’s College. She later earned a master’s degree and became a music therapist in New York City. Her mother, Gertrude, remained in England, and her sister, Verale, remarried and moved to Israel.

    Physical Details

    Classification
    Art
    Category
    Drawings
    Genre/Form
    Art.
    Physical Description
    Black ink drawing on paper of a full body depiction of a woman sleeping. She is topless, wearing short bottom undergarments, and is laying on her side with her cheek resting on a pair of stacked pillows, knees slightly bent. Her arm is curled around the top, patterned pillow and the side of her torso and breast are exposed. She is drawn with thin, long lines, and shaded with hatch marks, while her pillows are sketched lightly.
    Dimensions
    overall: Height: 11.000 inches (27.94 cm) | Width: 14.000 inches (35.56 cm)
    pictorial area: Height: 4.625 inches (11.747 cm) | Width: 8.625 inches (21.908 cm)
    Materials
    overall : wove paper, ink
    Inscription
    artist’s overmat removed by conservator, front, bottom, right, pencil : LRAndrieux 40
    secondary support removed by conservator, front, bottom, right, pencil : Marianne Beerel Gurs 40

    Rights & Restrictions

    Conditions on Access
    No restrictions on access
    Conditions on Use
    No restrictions on use

    Keywords & Subjects

    Administrative Notes

    Provenance
    The drawing was acquired by the United States Holocaust Memorial Museum in 1988.
    Funding Note
    The cataloging of this artifact has been supported by a grant from the Conference on Jewish Material Claims Against Germany.
    Record last modified:
    2024-01-16 10:32:52
    This page:
    https:​/​/collections.ushmm.org​/search​/catalog​/irn110

    Download & Licensing

    In-Person Research

    Contact Us