Overview
- Description
- Soldiers line up and receive food. They pose next to a boxcar that says “15 Fin USA Bound.” A sign for Thionville. Soldiers eat at Camp Boston in Reims, France. Children wave at the camera. Soldiers play cards and smoke cigarettes. Scenes at Camp Boston.
- Duration
- 00:03:41
- Date
-
Event:
1945
- Locale
-
Reims,
France
France
- Credit
- United States Holocaust Memorial Museum, gift of Robert Gatarz
- Contributor
-
Camera Operator:
Murray Goldblatt
- Biography
-
Murray Goldblatt was U.S. soldier who served during World War II in Belgium, France, Czechoslovakia and Germany from 1943 to 1945, most likely with the 15th Finance Corps. Born in Brooklyn to a Jewish family, Murray worked in the family's hardware store before enlisting with the Army on January 23, 1943. After his release on December 27, 1945, Murray returned to New York and later settled in Princeton, NJ with longtime partner Jim Kane. He was an accountant by profession and active in GPP (Gay People of Princeton). Murray rarely spoke of his experiences during World War II even though he documented his travels on five reels of film with his personal movie camera.
Physical Details
- Language
- Silent
- Genre/Form
- Amateur.
- B&W / Color
- Black & White
- Image Quality
- Good
- Film Format
- Master
Master 4241 Film: positive - 16 mm - b&w and color - silent - original reversal
Master 4241 Film: positive - 16 mm - b&w and color - silent - original reversal
Master 4241 Film: positive - 16 mm - b&w and color - silent - original reversal
Master 4241 Film: positive - 16 mm - b&w and color - silent - original reversal- Preservation
Preservation 4241.2 Film: positive - 16 mm - color - silent - answer print
Preservation 4241.1 Film: negative - 16 mm - b&w - silent - duplicate negative - digital intermediate - 3234
Preservation 4241.3 Film: negative - 16 mm - b&w - silent - duplicate negative - digital intermediate - 3234
Preservation 4241.2 Film: negative - 16 mm - color - silent - internegative - digital intermediate - 3273
Preservation 4241.1 Film: positive - 16 mm - b&w - silent - answer print
Preservation 4241.3 Film: positive - 16 mm - b&w - silent - answer print
Preservation 4241.2 Film: positive - 16 mm - color - silent - answer print
Preservation 4241.1 Film: negative - 16 mm - b&w - silent - duplicate negative - digital intermediate - 3234
Preservation 4241.3 Film: negative - 16 mm - b&w - silent - duplicate negative - digital intermediate - 3234
Preservation 4241.2 Film: negative - 16 mm - color - silent - internegative - digital intermediate - 3273
Preservation 4241.1 Film: positive - 16 mm - b&w - silent - answer print
Preservation 4241.3 Film: positive - 16 mm - b&w - silent - answer print
Preservation 4241.2 Film: positive - 16 mm - color - silent - answer print
Preservation 4241.1 Film: negative - 16 mm - b&w - silent - duplicate negative - digital intermediate - 3234
Preservation 4241.3 Film: negative - 16 mm - b&w - silent - duplicate negative - digital intermediate - 3234
Preservation 4241.2 Film: negative - 16 mm - color - silent - internegative - digital intermediate - 3273
Preservation 4241.1 Film: positive - 16 mm - b&w - silent - answer print
Preservation 4241.3 Film: positive - 16 mm - b&w - silent - answer print
Preservation 4241.2 Film: positive - 16 mm - color - silent - answer print
Preservation 4241.1 Film: negative - 16 mm - b&w - silent - duplicate negative - digital intermediate - 3234
Preservation 4241.3 Film: negative - 16 mm - b&w - silent - duplicate negative - digital intermediate - 3234
Preservation 4241.2 Film: negative - 16 mm - color - silent - internegative - digital intermediate - 3273
Preservation 4241.1 Film: positive - 16 mm - b&w - silent - answer print
Preservation 4241.3 Film: positive - 16 mm - b&w - silent - answer print- User
User 4241.2 Film: positive - 16 mm - color - silent - release print
User 4241.1 Film: positive - 16 mm - b&w - silent - release print
User 4241.3 Film: positive - 16 mm - b&w - silent - release print
User 4241.2 Film: positive - 16 mm - color - silent - release print
User 4241.1 Film: positive - 16 mm - b&w - silent - release print
User 4241.3 Film: positive - 16 mm - b&w - silent - release print
User 4241.2 Film: positive - 16 mm - color - silent - release print
User 4241.1 Film: positive - 16 mm - b&w - silent - release print
User 4241.3 Film: positive - 16 mm - b&w - silent - release print
User 4241.2 Film: positive - 16 mm - color - silent - release print
User 4241.1 Film: positive - 16 mm - b&w - silent - release print
User 4241.3 Film: positive - 16 mm - b&w - silent - release print
Rights & Restrictions
- Conditions on Access
- You do not require further permission from the Museum to access this archival media.
- Copyright
- United States Holocaust Memorial Museum
- Conditions on Use
- The United States Holocaust Memorial Museum places no restrictions on use of this material. You do not require further permission from the Museum to reproduce or use this film footage.
- Copyright Holder
- United States Holocaust Memorial Museum
Keywords & Subjects
Administrative Notes
- Legal Status
- In process
- Film Provenance
- In 1998, Murray Goldblatt entrusted his war films to Robert Gatarz, a close friend who had convinced him to show the movies at a social club event and document them in writing. Gatarz maintained the films until 2017 when he was cast in a new feature made by Infinity 9 Films, a Hagerstown, MD-based production company. Together they donated Goldblatt's amateur films to the United States Holocaust Memorial Museum in May 2017.
- Note
- Refer to Murray Goldblatt's shotlist describing the scenes and places in his five reels of 16mm film (100ft).
This film was preserved with a 2018 National Film Preservation Foundation (NFPF) grant. - Film Source
- Robert Gatarz
Infinity 9 Films - Special Collection
-
Steven Spielberg Film and Video Archive
- Record last modified:
- 2024-02-21 08:08:05
- This page:
- https://collections.ushmm.org/search/catalog/irn562929
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Also in Murray Goldblatt Collection
Murray Goldblatt, a Jewish American soldier, documented his experiences during World War II in Belgium, France, Czechoslovakia and Germany from 1943 to 1945 with his personal movie camera. The collection consists of an hour of 16mm film (the original 5 reels - approximately 100ft in length - were spliced together in the late 1990s by a friend and film collector).
Visiting Paris
Film
Pass to Paris. The Louvre, Venus de Milo, street scenes, Sacre Coeur, view of the city from above, more street scenes, bouquinistes, the Pantheon.
GIs at Camp Boston
Film
Back at Camp Boston. Murray poses in a field. Soldiers show off their injuries after a football game. One day pass to Reims. Details of the Reims Cathedral. A GI cafe. Fuzzy shots of train cars. Scenes of the countryside from a passing train. Soldiers smoke cigarettes and explore an abandoned German railway gun. Trucks enter the USA Calais Staging Area. Panoramic shots of the camp, including tents. Soldiers pose in a group shot with a dog. Soldiers pack their things and board box cars.
American soldiers return home
Film
Soldiers line up on a dock and board a ship. The ship from afar. A parting view of the dock. Smoke stacks on board the ship. Murray and fellow soldiers at the deck’s railing. A soldier shows off his American money. Ocean shots. Scenes of soldier life on the ship: playing cards, smoking cigarettes, reading, laughing, sleeping, getting sick over the side of the boat. Murray poses for the camera. More ocean shots. Shot of buildings on the coastline. A smaller rowboat by the side of the ship. Soldiers jump off this boat and swim in the ocean. More coastline shots. “The End.”
Destruction; German prisoners of war
Film
Scenes of destruction in Volkmarsen, Germany. Murray stands in front of the river. A castle on a hill. Street scenes in Kassel, Germany. The soldiers cross another river. German prisoners at Heiligenstadt. Panoramic views of the countryside. Former German army barracks in Naumberg, Germany, with slogan in German. It is now April of 1945.
Buchenwald; effigy of Hitler; Nazi training camp
Film
Buchenwald concentration camp. Piles of corpses, gallows, a hanging effigy of Hitler. A obelisk inscribed “H.L.B.” Rows of barracks. Barbed wire fences. An aerial view of Bayreuth Nazi training camp.
Pilsen on V-E Day; Grace Moore, Ingrid Bergman, Jack Benny entertain; Soldiers at work in office
Film
Entering Pilsen, Czechoslovakia on May 8th, 1945 -- V-E Day. Street scenes of civilians in traditional Czech clothing. The opera house. View of the soldiers’ barracks. Sign for the “15th Finance.” Scenes of life in Pilsen and the countryside: people sunbathing, boating, swimming. An enormous crowd gathers to listen to Grace Moore sing. Soldiers play tennis with local civilians. Scenes from a parade. Pilsen castle. Soldiers smoke cigarettes and drink beer, including Murray. Ingrid Bergman and Jack Benny. Soldiers work in an office. Soldiers board a military airplane. Scenes of mountains and the land below from mid-flight.
Soldiers relax at the French Riviera
Film
In color, the coast of the French Riviera comes into view from the plane. Street scenes on the Riviera. Murray poses in front of the beach. People sunbathing on rock beaches. “Positively no whistling or stamping allowed.” Various shots of the Riviera from different perspectives. American flag waving. Murray on a boat. More coastline scenes on the beach. Murray in a canoe. Street and beach scenes of civilians. Grass. Planes take off. View from mid-flight on the return to Pilsen.
Border between Pilsen and Prague; railcars
Film
Aerial view of Pilsen. Murray posing for the camera. Russian border checkpoint between Pilsen and Prague. Scenes from Prague, including St. Vitus Cathedral and the Hebrew clock at the Jewish Town Hall. Prague Castle. Soldiers on a boxcar with “Dachau” painted on the outside. They line up and board boxcars.
Medal ceremony; baseball; crossing the Rhine
Film
A French general leads a V corps medal decoration ceremony in Meschernich, Germany. Village scenes, including shots of Murray and other soldiers. Ruins of buildings and a railroad depot. Soldiers play baseball. The crossing of the Rhine into Neuwied, Germany, over the Victor Pontoon Bridge.
Rubble in France and Belgium
Film
Modern apartment buildings as the soldiers leave Paris. The Reims Cathedral. Rubble and destroyed buildings. Back in Belgium. Soldiers pack up trucks, smoke cigarettes, and joke around. Ruins in the countryside as they enter Germany.
American soldier life in Belgium
Film
"Welcome to our home theatre.” Scenes from soldier life in the wintertime of 1944 in Belgium. The men wash mess kits, use latrines, walk around town, and have snowball fights. Panoramic shots of buildings and factories in Dolhain. The Grand Bazaar, a department store in Verviers. Scenes from a three day pass in Eupen, including destroyed buildings and rubble. Shots of Murray Goldblatt in a military office in Dolhain. Street scenes of soldier life in Dolhain.
Soldiers on leave in Paris
Film
Three day pass to Paris. Les Invalides, the Eiffel Tower, Notre Dame, a bridge over the Seine, bouquinistes, more shots of the Seine, Notre Dame again, the Louvre, the Tuileries, the obelisk at Place de la Concorde, Grand Palais, Haussmann-style buildings, Champs Elysées, Arc de Triomphe and the Tomb of the Unknown Soldier, Opera Garnier, Place Vendôme, Rue de Rivoli, Trocadero, the Eiffel Tower, a woman with baguettes, Hotel Bayard (American Red Cross HQ), street scenes of civilians and soldiers.
