Halina Olomucki drawing of a woman and child hiding during round-up
- Artwork Title
- Ghetto de Varsovie cachette pendant la raffle, Birkenau, 1944
- Alternate Title
- Warsaw Ghetto: Hideout During the Raffle, Birkenau, 1944
- Date
-
creation:
1944
- Geography
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creation:
Birkenau (Concentration camp);
Birkenau (Germany)
- Classification
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Art
- Category
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Drawings
- Object Type
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Prisoners in art (lcsh)
- Credit Line
- United States Holocaust Memorial Museum Collection
Charcoal drawing of a woman and child behind a fence created by Halina Olszewski (later Olomucki) in 1944 when she was a prisoner in Auschwitz-Birkenau concentration camp. It depicts a scene from her experiences in Warsaw Ghetto from 1940-1943. Nazi Germany occupied Poland in September 1939, and, in fall 1940, Halina, her mother Margarit-Hadassa, and siblings were relocated to the ghetto. Halina did forced labor, but she felt her real job was to record the misery and suffering of ghetto residents. Halina smuggled many drawings to a non-Jewish friend outside the ghetto. In May 1943, she and her mother were deported to Majdanek where her mother was killed on arrival. In July, Halina was sent to Auschwitz-Birkenau, where she continued to create art in secret. Other prisoners asked her to draw them or their loved ones, to preserve their memory and show the world what happened. She hid artwork in the camp, much of it recovered postwar. On January 18, 1945, Halina was sent by death march to Ravensbrück and Neustadt-Glewe, where she was liberated on May 2, 1945. She returned to Warsaw but found no surviving family members.
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Record last modified: 2023-09-15 10:16:11
This page: https://collections.ushmm.org/search/catalog/irn1185
Also in Halina Olomucki collection
The collection consists of eleven drawings created by Halina Olszewski (later Olomucki) during and after the Holocaust as her eyewitness testimony of people and scenes she saw and experienced in the Warsaw ghetto in Poland and as a prisoner in Majdanek, Auschwitz-Birkenau, Ravensbruck, and Neustadt-Glewe concentration camps.
Date: 1941-1947
Halina Olomucki drawing of man and children taken by armed guards
Object
Drawing depicting Janusz Korczak and children being taken from Warsaw Ghetto created by Halina Olszewski, 24, (later Olomucki) in the ghetto in 1943. Germany occupied Poland in September 1939, and established the ghetto in October 1940. Dr. Korczak ran a Jewish orphanage in the ghetto. In July 1942, the Germans began mass deportations to Treblinka killing center. Korczak was offered a chance to escape, but refused to abandon the children. On August 6, Korczak led his staff and about 200 children in an orderly walk to the deportation train. Halina, her mother Margarit-Hadassa, and siblings were relocated to the ghetto in 1940. Halina did forced labor, but she felt her real job was to record the misery and suffering of ghetto residents. Halina smuggled drawings to a non-Jewish friend outside the ghetto. In May 1943, she and her mother were deported to Majdanek where her mother was killed on arrival. In July, Halina was sent to Auschwitz-Birkenau, where she continued to create art in secret. Other prisoners asked her to draw them or their loved ones to preserve their memory and show the world what happened. She hid artwork in the camp, much of it recovered postwar. On January 18, 1945, Halina was sent by death march to Ravensbrück and Neustadt-Glewe, where she was liberated on May 2, 1945. She returned to Warsaw but found no surviving family members.
Halina Olomucki sketch of a boy selling Star of David armbands
Object
Pencil drawing of a sick, emaciated boy selling Star of David armbands created by Halina Olszewski, 24, (later Olomucki) while interned in Warsaw Ghetto in 1941. Nazi Germany occupied Poland in September 1939, and, in fall 1940, Halina, her mother Margarit-Hadassa, and siblings were relocated to the ghetto. Halina did forced labor, but she felt her real job was to record the misery and suffering of ghetto residents. Halina smuggled many drawings to a non-Jewish friend outside the ghetto. In May 1943, she and her mother were deported to Majdanek where her mother was killed on arrival. In July, Halina was sent to Auschwitz-Birkenau, where she continued to create art in secret. Other prisoners asked her to draw them or their loved ones, to preserve their memory and show the world what happened. She hid artwork in the camp, much of it recovered postwar. On January 18, 1945, Halina was sent by death march to Ravensbrück and Neustadt-Glewe, where she was liberated on May 2, 1945. She returned to Warsaw but found no surviving family members.
Halina Olomucki drawing of adults embracing children afraid of being killed
Object
Pencil drawing of several ghostly and anguished children and adults created by Halina Olszewski (later Olomucki) after the war. It expresses her memories of selections in Warsaw Ghetto, where children and the elderly who were not able to work, were the first to be chosen for deportation to killing centers. Nazi Germany occupied Poland in September 1939, and, in fall 1940, Halina, her mother Margarit-Hadassa, and siblings were relocated to the ghetto. Halina did forced labor, but she felt her real job was to record the misery and suffering of ghetto residents. Halina smuggled many drawings to a non-Jewish friend outside the ghetto. In May 1943, she and her mother were deported to Majdanek where her mother was killed on arrival. In July, Halina was sent to Auschwitz-Birkenau, where she continued to create art in secret. Other prisoners asked her to draw them or their loved ones, to preserve their memory and show the world what happened. She hid artwork in the camp, much of it recovered postwar. On January 18, 1945, Halina was sent by death march to Ravensbrück and Neustadt-Glewe, where she was liberated on May 2, 1945. She returned to Warsaw but found no surviving family members.
Halina Olomucki sketch of Jewish men whose beards were publicly shaved
Object
Drawing of Jewish men whose beards have been shaved off created by Halina Olszewski (later Olomucki) in 1945, just after the war. It depicts a scene she witnessed while interned in Warsaw Ghetto from October 1940-May 1943. The full beards worn by traditional Orthodox Jewish males as a sign of piety were a convenient target for occupying German troops who would shave off the beards in public, using abusive and humiliating methods. Nazi Germany occupied Poland in September 1939, and, in fall 1940, Halina, her mother Margarit-Hadassa, and siblings were relocated to the ghetto. Halina did forced labor, but she felt her real job was to record the misery and suffering of ghetto residents. Halina smuggled many drawings to a non-Jewish friend outside the ghetto. In May 1943, she and her mother were deported to Majdanek where her mother was killed on arrival. In July, Halina was sent to Auschwitz-Birkenau, where she continued to create art in secret. Other prisoners asked her to draw them or their loved ones to preserve their memory and show the world what happened. She hid artwork in the camp, much of it recovered postwar. On January 18, 1945, Halina was sent by death march to Ravensbrück and Neustadt-Glewe, where she was liberated on May 2, 1945. She returned to Warsaw but found no surviving family members.
Halina Olomucki drawing of emaciated women prisoners crowded in a barrack
Object
Colored drawing of a bunk crowded with ill and despairing women created by Halina Olszewski (later Olomucki) in Warsaw in 1945, just after the war. It is based upon her experiences as an inmate of the notorious Block 10 in Auschwitz-Birkenau concentration camp from July 1943 to January 1945. Nazi Germany occupied Poland in September 1939, and, in fall 1940, Halina, her mother Margarit-Hadassa, and siblings were relocated to the ghetto. Halina did forced labor, but she felt her real job was to record the misery and suffering of ghetto residents. Halina smuggled many drawings to a non-Jewish friend outside the ghetto. In May 1943, she and her mother were deported to Majdanek where her mother was killed on arrival. In July, Halina was sent to Auschwitz-Birkenau, where she continued to create art in secret. Other prisoners asked her to draw them or their loved ones, to preserve their memory and show the world what happened. She hid artwork in the camp, much of it recovered postwar. On January 18, 1945, Halina was sent by death march to Ravensbrück and Neustadt-Glewe, where she was liberated on May 2, 1945. She returned to Warsaw but found no surviving family members.
Halina Olomucki drawing of concentration camp inmate carrying a rock
Object
Drawing of a female prisoner created in Birkenau concentration camp by Halina Olszewski, 24, (later Olomucki) where she was an inmate from July 1943-January 1945. It depicts an emaciated woman in a striped uniform carrying a rock. Concentration camp prisoners were often forced to carry heavy rocks back and forth for hours. After Nazi Germany occupied Poland in September 1939, Halina, her mother Margarit-Hadassa, and siblings were interned in Warsaw Ghetto. Hannah did forced labor, but she felt her real job was to record the misery and suffering of ghetto residents. Halina smuggled drawings to a non-Jewish friend outside the ghetto. In May 1943, she and her mother were sent to Majdanek where her mother was killed on arrival. Halina was selected for labor. In July, she was transferred to Auschwitz-Birkenau. After she was put on an art detail, she hid pencil stubs and using any paper she could find, secretly drew pictures of camp life. Other prisoners asked her to draw them or their loved ones to preserve their memory and show the world what happened. She hid artwork in the camp, much of it recovered postwar. On January 18, 1945, Halina went by death march to Ravensbrück and Neustadt-Glewe, where she was liberated on May 2, 1945. She returned to Warsaw and found no surviving family members.
Halina Olomucki drawing of an anquished women holding an infant
Object
Pencil drawing of a desperate woman with an infant in the Warsaw Ghetto created by Halina Olszewski (later Olomucki) in Warsaw just after the war. After Nazi Germany occupied Poland in September 1939, Halina, her mother Margarit-Hadassa, and siblings were interned in Warsaw Ghetto. Hannah did forced labor, but she felt her real job was to record the misery and suffering of ghetto residents. Halina smuggled drawings to a non-Jewish friend outside the ghetto. In May 1943, she and her mother were sent to Majdanek where her mother was killed on arrival. Halina was selected for labor. In July, she was transferred to Auschwitz-Birkenau. After she was put on an art detail, she hid pencil stubs and using any paper she could find, secretly drew pictures of camp life. Other prisoners asked her to draw them or their loved ones to preserve their memory and show the world what happened. She hid artwork in the camp, much of it recovered postwar. On January 18, 1945, Halina went by death march to Ravensbrück and Neustadt-Glewe, where she was liberated on May 2, 1945. She returned to Warsaw and found no surviving family members.
Halina Olomucki portrait of a resistance fighter
Object
Drawing created by Halina Olszewski (later Olomucki) in Warsaw after the war. After Nazi Germany occupied Poland in September 1939, Halina, her mother Margarit-Hadassa, and siblings were interned in Warsaw Ghetto. Hannah did forced labor, but she felt her real job was to record the misery and suffering of ghetto residents. Halina smuggled drawings to a non-Jewish friend outside the ghetto. In May 1943, she and her mother were sent to Majdanek where her mother was killed on arrival. Halina was selected for labor. In July, she was transferred to Auschwitz-Birkenau. After she was put on an art detail, she hid pencil stubs and using any paper she could find, secretly drew pictures of camp life. Other prisoners asked her to draw them or their loved ones to preserve their memory and show the world what happened. She hid artwork in the camp, much of it recovered postwar. On January 18, 1945, Halina went by death march to Ravensbrück and Neustadt-Glewe, where she was liberated on May 2, 1945. She returned to Warsaw and found no surviving family members.
Halina Olomucki drawing of a tormented woman behind bars
Object
Drawing created by Halina Olszewski (later Olomucki) in Warsaw after the war. After Nazi Germany occupied Poland in September 1939, Halina, her mother Margarit-Hadassa, and siblings were interned in Warsaw Ghetto. Hannah did forced labor, but she felt her real job was to record the misery and suffering of ghetto residents. Halina smuggled drawings to a non-Jewish friend outside the ghetto. In May 1943, she and her mother were sent to Majdanek where her mother was killed on arrival. Halina was selected for labor. In July, she was transferred to Auschwitz-Birkenau. After she was put on an art detail, she hid pencil stubs and using any paper she could find, secretly drew pictures of camp life. Other prisoners asked her to draw them or their loved ones to preserve their memory and show the world what happened. She hid artwork in the camp, much of it recovered postwar. On January 18, 1945, Halina went by death march to Ravensbrück and Neustadt-Glewe, where she was liberated on May 2, 1945. She returned to Warsaw and found no surviving family members.
Halina Olomucki drawing of partisans beginning an action
Object
Color drawing of abstract figures crouched behind a wall created by Halina Olszewski (later Olomucki) after the war in 1947 expressing her feelings about the Warsaw Ghetto Uprising in January-April 1943. Nazi Germany occupied Poland in September 1939, and, in fall 1940, Halina, her mother Margarit-Hadassa, and siblings were relocated to the ghetto. Halina did forced labor, but she felt her real job was to record the misery and suffering of ghetto residents. Halina smuggled many drawings to a non-Jewish friend outside the ghetto. In May 1943, she and her mother were deported to Majdanek where her mother was killed on arrival. In July, Halina was sent to Auschwitz-Birkenau, where she continued to create art in secret. Other prisoners asked her to draw them or their loved ones, to preserve their memory and show the world what happened. She hid artwork in the camp, much of it recovered postwar. On January 18, 1945, Halina was sent by death march to Ravensbrück and Neustadt-Glewe, where she was liberated on May 2, 1945. She returned to Warsaw but found no surviving family members.