Overview
- Description
- Joseph Wulf sings "Sunbeams" (in Yiddish), written in Auschwitz III.
- Credit
- United States Holocaust Memorial Museum, gift of Henryk M. Broder
- Format
- MP3
Physical Details
Rights & Restrictions
- Conditions on Access
- You do not require further permission from the Museum to access this archival media.
- Copyright
- United States Holocaust Memorial Museum
- Conditions on Use
- The United States Holocaust Memorial Museum places no restrictions on use of this material. You do not require further permission from the Museum to reproduce or use this film footage.
Administrative Notes
- Legal Status
- Permanent Collection
- Recorded Sound Provenance
- This song was included in the United States Holocaust Memorial Museum's web exhibition, "Music of the Holocaust" https://www.ushmm.org/exhibition/music/ curated by the Museum's musicologist.
- Recorded Sound Notes
- From the Joseph Wulf phonograph records collection that Henryk M. Broder donated to the United States Holocaust Memorial Museum in 2002.
- Recorded Sound Source
- Bret Werb
- Record last modified:
- 2024-02-21 07:28:59
- This page:
- https://collections.ushmm.org/search/catalog/irn671467
Also in "Music of the Holocaust" web exhibition
Songs included in the United States Holocaust Memorial Museum's web exhibition, "Music of the Holocaust" https://www.ushmm.org/exhibition/music/. Music was heard in many ghettos, concentration camps, and partisan outposts of Nazi-controlled Europe. While popular songs dating from before the war remained attractive as escapist fare, the ghetto, camp, and partisan settings also gave rise to a repertoire of new works. These included topical songs inspired by the latest gossip and news, and songs of personal expression that often concerned the loss of family and home. Classical music—instrumental works, art songs, opera—was also produced and performed during this period, notably by prisoners at the Theresienstadt (Terezín) ghetto and transit camp in Czechoslovakia, as well as in several other ghettos and camps. For many victims of Nazi brutality, music was an important means of preserving and asserting their humanity. Such music—particularly the topical songs—also serves as a form of historical documentation. Like “audio snapshots,” these works offer a telling glimpse into the events and emotions that their creators and original audiences experienced firsthand.
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