Advanced Search

Learn About The Holocaust

Special Collections

My Saved Research

Login

Register

Help

Skip to main content

Hand painted vase with a scene of Portia and Shylock in the courtroom

Object | Accession Number: 2016.184.15

Search this record's additional resources, such as finding aids, documents, or transcripts.

No results match this search term.
Check spelling and try again.

results are loading

0 results found for “keyward

    Hand painted vase with a scene of Portia and Shylock in the courtroom

    Overview

    Brief Narrative
    Porcelain vase from the late 19th or early 20th century with an image of the courtroom scene from Shakespeare's play, The Merchant of Venice. The vase was manufactured by the Porzellanfabrik Victoria Schmidt & Co (now part of Thun Karlovarský Porcelán) in Carlsbad, Austria-Hungary (now, Karlovy Vary, Czech Republic), and features a reproduction of an illustration by the English artist, Walter Paget. The image was commonly used on tableware and decorative ceramics. In the scene, Shylock has a long beard and is wearing a skullcap, both stereotypical features attributed to Jewish men. Jews were expelled from England in 1290, making it unlikely that Shakespeare ever met a Jewish person, and he likely based Shylock on longstanding antisemitic stereotypes. In the play, Shylock is a Jewish moneylender who demands a pound of flesh as recompense from a merchant who failed to repay a loan. Although some scenes make him a sympathetic character, and show how society and his Christian enemies cruelly mistreat him, in the end, he is punished and forced to convert to Christianity. The play was extremely popular in Nazi Germany, with fifty productions between 1933 and 1939. The Ministry of Propaganda created edited versions of the play that removed scenes and lines that evoked sympathy for Shylock or Jews. The Nazis used Shylock to promote Jewish inferiority by making him emblematic of the Jewish race’s perceived wickedness. These versions ignored the ambiguity Shylock was originally infused with, and portrayed him as an avaricious and vengeful character that was grotesque and inhuman. Despite the stereotypical and anti-Jewish elements, the play remains popular and continues to spark debates over whether it should be considered antisemitic. This vase is one of more than 900 items in the Katz Ehrenthal Collection of antisemitic artifacts and visual materials.
    Date
    creation:  approximately 1891-1918
    Geography
    manufacture: Karlovy Vary (Czech Republic)
    Credit Line
    United States Holocaust Memorial Museum Collection, Gift of the Katz Family
    Markings
    front left, below image, painted, gold : Portia and Shylock
    front right, below image, painted, gold : Walter Paget
    underside, stamped, blue ink : · VICTORIA · / CARLSBAD [within logo] / AUSTRIA [below logo]
    Contributor
    Compiler: Peter Ehrenthal
    Artist: Walter Paget
    Manufacturer: Thun Karlovarský Porcelán
    Biography
    The Katz Ehrenthal Collection is a collection of more than 900 objects depicting Jews and antisemitic and anti-Jewish propaganda from the medieval to the modern era, in Europe, Russia, and the United States. The collection was amassed by Peter Ehrenthal, a Romanian Holocaust survivor, to document the pervasive history of anti-Jewish hatred in Western art, politics and popular culture. It includes crude folk art as well as pieces created by Europe's finest craftsmen, prints and periodical illustrations, posters, paintings, decorative art, and toys and everyday household items decorated with depictions of stereotypical Jewish figures.

    Physical Details

    Language
    English
    Classification
    Decorative Arts
    Category
    Ceramics
    Object Type
    Vases (lcsh)
    Genre/Form
    Vases.
    Physical Description
    Two-handled, porcelain vase with a colorful image of the courtroom scene from the play, The Merchant of Venice. In the image, a young woman, disguised as a man, in red legal robes stands opposite an older man in a gold and green robe. The older man has a white beard and wears a black skullcap. The woman, on the left, points to a large contract in her hand while looking at the older man who holds a dagger in one hand and balance scales in the other. They stand before a judge wearing ermine robes and seated at his bench, which is draped with a red, tasseled cloth. He is visible between them in the background. There are two onlookers standing in the left background. The circular image is centered on the front of the white vase, which has a ring handle on each side of the neck, and a short oval-shaped foot with decorative ridges extending from it, ending in scalloped edges. The neck, foot, handles, and the areas around them are teal in color with decorative, diagonal, gold-colored streaks on the darkest sections. Painted below the image, to the left, is the title of the scene, and to the right is the artist’s name. The center of the back is a blank white section. There is some residue adhered to the left of the image, and the gold paint along the rim edge is worn.
    Dimensions
    overall: Height: 5.750 inches (14.605 cm) | Width: 4.250 inches (10.795 cm) | Depth: 2.125 inches (5.398 cm)
    Materials
    overall : ceramic, glaze, ink

    Rights & Restrictions

    Conditions on Access
    No restrictions on access
    Conditions on Use
    No restrictions on use

    Keywords & Subjects

    Administrative Notes

    Provenance
    The vase was donated to the United States Holocaust Memorial Museum in 2016 by the Katz Family.
    Funding Note
    The cataloging of this artifact has been supported by a grant from the Conference on Jewish Material Claims Against Germany.
    Special Collection
    Katz Ehrenthal Collection
    Record last modified:
    2024-02-21 07:11:15
    This page:
    https:​/​/collections.ushmm.org​/search​/catalog​/irn537071

    Download & Licensing

    In-Person Research

    Contact Us