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US liberates French towns

Film | Digitized | RG Number: RG-60.2684 | Film ID: 960

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    US liberates French towns
    Image

    Overview

    Description
    Shots of WWI cannon. Stevens in overcoat walks out of woods to vehicles. They talk with French civilian. Hamilton in shallow trench. Pan of graveyard with sea of white crosses. "Here rests in honor, glory, and American soldier known but to God" (sign on cross). American flag flying over cemetery. Fresh cross says "James D. Brokow." Another cross says "Helmut W. Fesoa." These are recently dug graves with soil on top. Another cross "Jim Shaw." Stevens and two men with still cameras exit from church holding book, apparently register of Americans buried there. Book open, with swastika in front, handwritten "Heil Hitler." Pages turned.

    Long shots of firing in distance (This is the beginning of a reel, and the film is out of register, causing a ghosted image on the film.), men in fields. Young man holding a crow. Civilians standing around watching. Appears to be large bomb crater with hot remnants of bomb. Long shot of town. GI brings four foot bottle of Pommier champagne and pretends to drink it. Hamilton drinking four foot bottle of champagne. Clowning shots with the champagne. Stevens and others in foreground, cathedral, in distance. Loading jeeps with boxes. Sign "Metz" to right. "357." Shot of building "Sainte Menehould Poste." Children in street. Shot of strange looking cement building with huge tower opposite cemetery. Planes fly by over men in jeep and pass tower. Three star general gets into camouflage sedan (foregoing was isolated shot slightly underexposed). Stevens in jeep, signals forward. Camera pans jeep trailing weapons carrier down road. Camera unit, Stevens, etc. in bombed out main street of town, apparently Metz. Street signs in German "Befehisstelle der ortichen Luft Schupleitung." Pan of valley, fall leaves showing. Tracking shot through town on streetcar tracks. Stevens in front of the Hotel Brasseur. Sign in window reads; "Stadtsparkasse Luxemburg Zweigstelle Stadtmitte." Three formations of planes in blue sky. Sheet with orange and red flags on buildings. Tracking shot from jeep of large train yard. Sign "Achtung 5 km Uberhoden Verboten." Stevens and other men get out of truck with small dog. Men cleaning artillery piece. CU, yellow canvas sign: "Liege." Pan of town (Grand Hotel Britainique) square, civilians walking. Streetcar in BG. Shot of stream with cathedral in BG.
    Duration
    00:10:04
    Date
    Event:  1944-1945
    Locale
    France
    Credit
    Accessed at United States Holocaust Memorial Museum, courtesy of Library of Congress
    Contributor
    Director: George C. Stevens
    Producer: Special Coverage Unit (SPECOU)
    Biography
    George Stevens (December 18, 1904 – March 8, 1975) was an American film director, producer, screenwriter and cinematographer. During World War II, Stevens joined the U.S. Army Signal Corps and headed a film unit from 1943 to 1946 under General Eisenhower. His unit shot footage documenting D-Day — including the only Allied European Front color film of the war — the liberation of Paris and the meeting of American and Soviet forces at the Elbe River, as well as horrific scenes from the Duben labor camp and the Dachau concentration camp. Stevens also helped prepare the Duben and Dachau footage and other material for presentation during the Nuremberg Trials. In 2008, his footage was entered into the U.S. National Film Registry by the Librarian of Congress as an "essential visual record" of World War II.
    The Special Coverage Unit (SPECOU) was placed under the control of the Supreme Headquarters' Allied Expeditionary Force (SHAEF). The SPECOU consists of 45 people: writers like Ivan Moffat, William Saroyan and Irwin Shaw; cameramen like Dick Hoar, Ken Marthey, William Mellor, Jack Muth; sound operators as Bill Hamilton, who comes from Columbia, assistant directors, as Holly Morse, who has worked with Hal Roach.

    Physical Details

    Language
    Silent
    Genre/Form
    Unedited.
    B&W / Color
    Color
    Image Quality
    Good
    Time Code
    00:01:11:00 to 00:11:15:00
    Film Format
    • Master
    • Master 960 Video: Betacam SP - color - NTSC - small
      Master 960 Digital: ProRes HD HQ 422 - color - HD
      Master 960 Video: Betacam SP - color - NTSC - small
      Master 960 Digital: ProRes HD HQ 422 - color - HD
      Master 960 Video: Betacam SP - color - NTSC - small
      Master 960 Digital: ProRes HD HQ 422 - color - HD
      Master 960 Video: Betacam SP - color - NTSC - small
      Master 960 Digital: ProRes HD HQ 422 - color - HD
    • Preservation
    • Preservation 960 Video: Betacam SP - color - NTSC - small
      Preservation 960 Video: Betacam SP - color - NTSC - small
      Preservation 960 Video: Betacam SP - color - NTSC - small
      Preservation 960 Video: Betacam SP - color - NTSC - small

    Rights & Restrictions

    Conditions on Access
    This archival media can only be accessed in a Museum reading room or other on-campus viewing stations.
    Copyright
    George Stevens Jr.
    Conditions on Use
    George Stevens, Jr. owns the copyright to this film. Researchers must contact the Library of Congress at mpref@loc.gov for permission to reproduce and use this film material.

    Keywords & Subjects

    Administrative Notes

    Film Provenance
    The United States Holocaust Memorial Museum purchased film copies of the George Stevens Collection on videotape from the Library of Congress in October 1994.
    Copied From
    16mm color reversal film
    Film Source
    Library of Congress - Motion Picture, Broadcasting and Recorded Sound Division (MBRS)
    File Number
    Legacy Database File: 2917
    Source Archive Number: Video Reel #3; Film Reel #11
    Record last modified:
    2024-02-21 07:58:59
    This page:
    https:​/​/collections.ushmm.org​/search​/catalog​/irn1002199

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